{"title":"JHS Pedals","description":"","products":[{"product_id":"jhs-pedals-packrat-9-in-1-distortion-pedal","title":"JHS Pedals PackRat 9 in 1 Distortion Pedal","description":"\u003cp\u003e\u003cspan\u003eThe PackRat stands as a definitive homage to over four decades of RAT pedal innovation and its profound influence on guitar tonality. This legendary line of pedals has shaped the signature sounds of diverse genre spanning pioneers; from Nirvana and Metallica's aggressive edge to the atmospheric textures of Pink Floyd and Radiohead, the melodic precision of the Eagles, and the virtuosic expressions of Jeff Beck.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsing the same unique digital runway system featured in JHS Pedals other multimode pedals, the PackRat directs the paths of 261 components through 40 individual switches. This means when you choose one of the nine legendary modes, you are playing fully analog circuits that perfectly replicate that mode down to the aging components.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTrue to the history of RAT pedals, the control layout is straightforward. The \u003cspan\u003eVolume control adjusts the overall volume of the pedal, Distortion lets you raise and lower the amount of gain or distortion, Filter allows you to brighten or darken the sound of the overall effect, acting as a simple low-pass filter depending on the mode, and the Mode knob is a rotary switch that clicks between each of the nine legendary RAT versions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2\" X 4.8\" X 1.6\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55364591583612,"sku":"PKBK","price":229.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHSPedalsPackRat_1100x_3d455d4e-ada8-4659-87f3-3fca172e42d6.png?v=1747998527"},{"product_id":"jhs-pedals-muffuletta-5-in-1-fuzz-pedal","title":"JHS Pedals Muffuletta 6 in 1 Fuzz Pedal","description":"\u003cp\u003eWanting to pay tribute to the iconic history of the Big Muff Fuzz, JHS Pedals couldn't come to a decision as to which Muff they should crown King. As such they've made the only logical decision and crammed five all-analog re-creations of beloved Big Muff tones into one box, the Muffuletta.\u003c\/p\u003e\n\u003cp\u003eIn addition to the five faithful re-creations, JHS Pedals have also included their own original take on the classic circuit. More powerful and less compressed, with a haunting midrange, the JHS Mode is also ideal for bass guitar. So no matter which era of the Big Muff you prefer, the Muffuletta has you covered.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eJHS Mode - \"2015\": \u003c\/strong\u003eMore powerful, less compressed, haunting mids\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1973 RAMS HEAD - “1973-1977 V2”: \u003c\/strong\u003eScooped midrange, less gain, darker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHE TRIANGLE - “1969-1970 V1”: \u003c\/strong\u003eMore low-end response, more articulation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHE PI - “1977-1978 V3”: \u003c\/strong\u003eMore aggressive sound\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHE RUSSIAN - \"1999-2009 V8”: \u003c\/strong\u003eLess clarity and less low end. A great garage-type sound\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHE CIVIL WAR - “1991-1993 V7”: \u003c\/strong\u003eMore midrange, brighter overall tone, less gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 4MA, AND MEASURES 2.2\" x 4.8\" x 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55364622680444,"sku":"MFG","price":219.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHSPedalsMuffulettaGreen_1100x_fc9586e8-afc4-4338-a4d5-f3aea8e55f88.png?v=1748001613"},{"product_id":"jhs-pedals-angry-charlie-v3-overdrive-pedal","title":"JHS Pedals Angry Charlie V3 Overdrive \/ Distortion Pedal","description":"\u003cp\u003eA staple of the JHS Pedals line-up, the Angry Charlie is a force to be reckoned with in the high-gain pedal territory. A British amp-in-a-box pedal unlike any other, the Angry Charlie V3 sports a 3-band tone stack, just like Marshalls, bringing convincing and accurate JCM800 character with warm yet searing tones and sustain.\u003c\/p\u003e\n\u003cp\u003eFrom bluesy and vintage style breakup through to high-gain brit tone, the Angry Charlie V3 changes character dramatically with just a twist of the Drive Knob. Turn any amp into a screaming Marshall stack with Drive and Volume controls interact the same as a master volume amp head. Simple techniques like backing off your guitar's volume work just as well as with amps, letting you control your gain levels without losing clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL USES 9V TO 18V NEGATIVE CENTER. THIS PEDAL CAN BE RUN AT 18V FOR MORE HEADROOM AND GREATER DYNAMICS. DO NOT USE MORE THAN 18V DC. MEASURES AT 2.6\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55364691820924,"sku":"AC","price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHSPedalsAngryCharlieV3_1100x_1ac593af-550e-47e4-bf9d-ad617923205b.png?v=1748004432"},{"product_id":"jhs-pedals-bonsai-overdrive-pedal","title":"JHS Pedals Bonsai 9 in 1 Overdrive Pedal","description":"\u003cp\u003ePerfect by it's Japanese designers in the late 1970's, the tube screamer overdrive quickly became the heart and soul of many famous artists and recordings. \u003cspan\u003ePlayers ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on various versions of these classic iconic green boxes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJHS Pedals have taken some of the best variations, combining nine of them into one suitably green overdrive pedal, the Bonsai.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUsing the same \u003cspan\u003eunique digital runway system featured in JHS Pedals other multimode pedals, each mode replicates the corresponding pedal by activating specific components. This means when you choose one of the nine iconic modes, you are playing circuits that perfectly replicate that mode down to the aging components.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOD-1 - 1977: \u003c\/strong\u003eOverall brighter and slightly higher gain mode that does not utilize the Tone knob.\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eAlso inverts signal and has asymmetrical clipping.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTS-808 - 1979: \u003c\/strong\u003eClassic low gain with that signature pronounced mid range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTS-9 - 1982: \u003c\/strong\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMSL, POWER OR L SERIES - 1985: \u003c\/strong\u003eHigher gain sound with a more low end and an overall more gooey feel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTS-10 - 1986: \u003c\/strong\u003eMade famous by John Mayer. Bluesy, crisp, more low end roll off and low gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEXAR OD-1 1989:\u003c\/strong\u003e Slightly different drive character with a little more gain than the classic screamers, slightly more transparent feel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTS-7 (+MODE) - 1999: \u003c\/strong\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKEELEY MOD PLUS - 2002: \u003c\/strong\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJHS STRONG MOD - 2008: \u003c\/strong\u003eMuch cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55364837507452,"sku":"BI","price":219.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHSPedalsBonsai_1100x_75b57dde-1f30-4ce6-b92b-83ee1674922c.png?v=1748010035"},{"product_id":"jhs-pedals-flight-delay-pedal","title":"JHS Pedals Flight Delay Pedal, Blue","description":"\u003cp\u003eEverything you need in a delay pedal and nothing you don't. The JHS Pedals Flight Delay is a refined, user friendly stompbox that manages to be beautifully simple and highly versatile. Focusing on the most essential delay types and features that matter, the Flight Delay consists of three modes: Analog, Reverse, and Digital, each inspired by existing pedals.\u003c\/p\u003e\n\u003cp\u003eThe Analog mode is a filtered analog-style bucket brigade delay that harkens back to classic echo pedals such as the EHX Memory Man and Boss DM-2. The Reverse mode plays the delay signal backwards, inspired by the likes of the Danelectro Back Talk and Line 6 DL4 Reverse mode. The Digital mode is a crisp delay that pays tribute \u003cspan\u003eto early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOther features include Tap tempo, a subdivision toggle which sets the interval of delay repeats (quarter, eighth, or dotted eighth note) in relation to your tapped tempo and Trails bypass mode which allows the repeats to trail when the pedal is bypassed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eMIX -\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eControls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eREPEATS - \u003c\/span\u003e\u003c\/strong\u003eControls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eEQ -\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAdjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTIME - \u003c\/strong\u003eControls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMODULATION TOGGLE -\u003c\/strong\u003e Sets delay modulation style to chorus, vibrato, or off.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMOD DEPTH -\u003c\/strong\u003e Controls the depth or level of the modulation effect. Left is less, right is more.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMOD RATE -\u003c\/strong\u003e Controls the rate of the modulation. Left is slower, right is faster.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTAP - \u003c\/strong\u003eFor external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eEXPRESSION -\u003c\/strong\u003e For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLEFT FOOTSWITCH -\u003c\/strong\u003e Bypass switch, which turns the effect on and off.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRIGHT FOOTSWITCH -\u003c\/strong\u003e Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eMONO INPUT -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1\/4” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eMONO OUTPUT - \u003c\/strong\u003e1\/4” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55364934959484,"sku":"FDBL","price":239.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-Flight-Delay-Blue_1100x_7bd70809-4733-4866-a4d7-c5ae909399cb.png?v=1748012509"},{"product_id":"jhs-pedals-3-series-delay-pedal","title":"JHS Pedals 3 Series Delay Pedal","description":"\u003cp\u003eJHS Pedals 3 Series offer affordability, simplicity and quality. Made in Kansas City with premium components and meticulous attention to detail, these pedals deliver high-grade performance without the premium price tag. The brilliantly simple design features just three intuitive controls and a toggle switch, offering a wide range of tones that will transform your playing. Whether you're just starting your musical journey or performing on professional stages, the 3 Series offers the perfect balance of accessibility and sonic versatility. Why compromise on sound quality when you can elevate your pedalboard with these inspiring effects at such an attainable price?\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. Simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55365068718460,"sku":"3SDL","price":99.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3-Series-Delay-front_1100x_345cef12-0db2-471d-bf3a-eb8927dd71f9.png?v=1748015836"},{"product_id":"jhs-pedals-3-series-chorus-pedal","title":"JHS Pedals 3 Series Chorus Pedal","description":"\u003cp\u003eJHS Pedals 3 Series offer affordability, simplicity and quality. Made in Kansas City with premium components and meticulous attention to detail, these pedals deliver high-grade performance without the premium price tag. The brilliantly simple design features just three intuitive controls and a toggle switch, offering a wide range of tones that will transform your playing. Whether you're just starting your musical journey or performing on professional stages, the 3 Series offers the perfect balance of accessibility and sonic versatility. Why compromise on sound quality when you can elevate your pedalboard with these inspiring effects at such an attainable price?\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55378442060156,"sku":"3SCH","price":99.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3-Series-Chorus-front_1100x_c5a949cc-82b9-444b-bf90-856735d6da8c.png?v=1748352109"},{"product_id":"jhs-pedals-3-series-reverb-pedal","title":"JHS Pedals 3 Series Reverb Pedal","description":"\u003cp\u003eJHS Pedals 3 Series offer affordability, simplicity and quality. Made in Kansas City with premium components and meticulous attention to detail, these pedals deliver high-grade performance without the premium price tag. The brilliantly simple design features just three intuitive controls and a toggle switch, offering a wide range of tones that will transform your playing. Whether you're just starting your musical journey or performing on professional stages, the 3 Series offers the perfect balance of accessibility and sonic versatility. Why compromise on sound quality when you can elevate your pedalboard with these inspiring effects at such an attainable price?\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55378449793404,"sku":"3SRV","price":99.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3-Series-Reverb-front_1100x_f7308986-dedb-4cad-a2b3-679438d43cd3.png?v=1748352683"},{"product_id":"jhs-pedals-3-series-phaser-pedal","title":"JHS Pedals 3 Series Phaser Pedal","description":"\u003cp\u003eJHS Pedals 3 Series offer affordability, simplicity and quality. Made in Kansas City with premium components and meticulous attention to detail, these pedals deliver high-grade performance without the premium price tag. The brilliantly simple design features just three intuitive controls and a toggle switch, offering a wide range of tones that will transform your playing. Whether you're just starting your musical journey or performing on professional stages, the 3 Series offers the perfect balance of accessibility and sonic versatility. Why compromise on sound quality when you can elevate your pedalboard with these inspiring effects at such an attainable price?\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55378462245244,"sku":"3SPH","price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3-Serires-Phaser-Front_1100x_a7de39bb-476d-401d-a54a-a27ba0f81a4a.png?v=1748354215"},{"product_id":"jhs-pedals-3-series-tape-delay-pedal","title":"JHS Pedals 3 Series Tape Delay Pedal","description":"\u003cp\u003eJHS Pedals 3 Series offer affordability, simplicity and quality. Made in Kansas City with premium components and meticulous attention to detail, these pedals deliver high-grade performance without the premium price tag. The brilliantly simple design features just three intuitive controls and a toggle switch, offering a wide range of tones that will transform your playing. Whether you're just starting your musical journey or performing on professional stages, the 3 Series offers the perfect balance of accessibility and sonic versatility. Why compromise on sound quality when you can elevate your pedalboard with these inspiring effects at such an attainable price?\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to classic tape delay units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear \u0026amp; tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire. \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55378493047164,"sku":"3STD","price":99.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3Series-Tape-Delay-Front_1100x_b853cdab-713d-4225-91f6-d73d767b4b6a.png?v=1748354558"},{"product_id":"jhs-pedals-3-series-distortion-pedal","title":"JHS Pedals 3 Series Distortion Pedal","description":"\u003cp\u003eJHS Pedals 3 Series offer affordability, simplicity and quality. Made in Kansas City with premium components and meticulous attention to detail, these pedals deliver high-grade performance without the premium price tag. The brilliantly simple design features just three intuitive controls and a toggle switch, offering a wide range of tones that will transform your playing. Whether you're just starting your musical journey or performing on professional stages, the 3 Series offers the perfect balance of accessibility and sonic versatility. Why compromise on sound quality when you can elevate your pedalboard with these inspiring effects at such an attainable price?\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55378512511356,"sku":"3SDT","price":99.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3-Series-Distortion-front_1100x_87f36f41-2ada-497f-9a24-346afdfea6ff.png?v=1748355352"},{"product_id":"jhs-pedals-emperor-v2-chorus-vibrato-pedal","title":"JHS Pedals Emperor V2 Analog Chorus \/ Vibrato Pedal","description":"\u003cp\u003e\u003cspan\u003eThere are two ways to look at the JHS Pedals Emperor Analog Chorus\/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 57 MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55383608852860,"sku":"EMP","price":210.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHSPedalsEmperorV2_1100x_f97282ff-e0b7-4fca-b5f2-9bef89c4a567.png?v=1748511975"},{"product_id":"jhs-pedals-milkman-slap-echo-delay-with-boost-pedal","title":"JHS Pedals Milkman Slap Echo \/ Delay with Boost Pedal","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals Milkman began with a conversation between Josh Scott and Tim Marcus of Milkman Sound. Tim wanted a pedal that could pair perfectly with the tremolo and reverb on his amps, something that country and Americana players could use as their only pedal if desired. Thus the Milkman was born, a perfect combo of slap delay and clean boost that will give you just what you need and not too much. So pour yourself a big glass and tip it back because the Milkman is about to deliver!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Milkman has two fully independent effects with the boost on the right side and the slap delay on the left. The boost is a fully clean boost that is fantastic to push your amp into natural overdrive or leave on all the time as a preamp. The slap delay has controls for Slap, Mix, Repeat, and EQ. The Slap control adjusts the time of the delay from 0ms, which can create a doubled type effect, to 250ms to give you just enough echo to get some spacious sounds. The Mix control adjusts the volume of the echo. The Repeat control adjusts the number of repeats the delay will give you. The EQ control adjusts the brightness of the repeats to give you the ability to have a darker more ambient sound or a brighter, chirpier sound that cuts through the mix.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 27MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55383625499004,"sku":"Milkman","price":170.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHSPedalsMilkman_1100x_3a57e7bb-3ecd-46de-b92c-60d94728a8c0.png?v=1748512424"},{"product_id":"jhs-pedals-3-series-hall-reverb-pedal","title":"JHS Pedals 3 Series Hall Reverb Pedal","description":"\u003cp class=\"\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55451385790844,"sku":"3SHR","price":99.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3-Serires-HallReverb-Front_1100x_64f0f677-0c95-4d34-833a-475874f75493.png?v=1750151023"},{"product_id":"jhs-pedals-3-series-screamer-pedal","title":"JHS Pedals 3 Series Screamer Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55451393524092,"sku":"3SSC","price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-3Series-Screamer-Front_1100x_d12e3474-2401-484d-b2e1-63debcd61d6f.png?v=1750151336"},{"product_id":"jhs-pedals-3-series-fuzz","title":"JHS Pedals 3 Series Fuzz","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55959665377660,"sku":"3SFZ","price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/405822-JHS-Pedals-3-Series-Fuzz-front__18006.jpg?v=1762788604"},{"product_id":"jhs-pedals-morning-glory-overdrive-v4","title":"JHS Pedals Morning Glory Overdrive V4","description":"\u003cp class=\"\"\u003eThe Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTRULY TRANSPARENT TONE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Gain control sweeps from completely clean to rock‘n’roll\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Increased headroom and output for use as a full-frequency boost\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eON-THE-FLY VERSATILITY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Switch to a more powerful sound with enhanced low end and grit\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Changed to smaller current enclosure; gold powder coat color.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV3 = Bright-cut toggle added.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV4 = Two times more headroom; Gain Toggle added; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55959697555836,"sku":"MG","price":179.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/363872-1575038094342__88474.jpg?v=1762789295"},{"product_id":"jhs-pedals-3-series-flanger","title":"JHS Pedals 3 Series Flanger","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? Our 3-Series Flanger is $99. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55959970906492,"sku":"3SFL","price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/211015375430008f.jpg?v=1762792986"},{"product_id":"jhs-pedals-hard-drive-distortion-black","title":"JHS Pedals Hard Drive Distortion (Black)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55960067015036,"sku":"HDBK","price":169.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/240611425354008f.jpg?v=1762794442"},{"product_id":"jhs-pedals-violet-distortion","title":"JHS Pedals Violet Distortion","description":"\u003cp dir=\"ltr\"\u003eThe Violet Distortion is a new take on distortion\/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier. The unique three-band EQ sets the Violet apart from our other popular distortion pedals. We placed the Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool. This single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion. Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe Violet also excels at stacking with other overdrives, distortions, and fuzzes, allowing it to fit perfectly into any rig as a second or new primary dirt device.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis pedal is for anyone looking to give their guitar a new voice. As Lari put it, “Why would I need words when my guitar can speak for me?” \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eVolume - Controls the overall volume of the unit. Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMid Freq - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eGain - Controls the amount of drive. Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBass - Controls level of bass frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMiddle - Controls level of mid frequencies. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTreble - Controls level of treble frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eINPUT - ¼” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOUTPUT - ¼” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePOWER - Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided. Silent, soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTHIS PEDALS MEASURES 2.6\" X 4.8\" X 1.6\"  AND CONSUMES 55mA.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLEARN MORE ABOUT LARI –\u003ca href=\"http:\/\/www.madisoncunningham.com\/\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.laribasilio.com\/\"\u003eWWW.LARIBASILIO.COM\/\u003c\/a\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55960085561724,"sku":"VIPL","price":199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/241025431335008f.jpg?v=1762794797"},{"product_id":"jhs-pedals-424-gain-stage-preamp","title":"JHS Pedals 424 Gain Stage Preamp","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 424 Gain Stage gives all the elastic, lo-fi tone inspired by a guitar being plugged straight into a vintage 424 multi-track recorder.  With the 424 Gain Stage pedal, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMulti-track recorders were made famous in the ‘80s and ‘90s, and gave musicians and songwriters the ability to bring our songs to life from the comfort of our cluttered bedrooms. These devices meant for home studios eventually found their way onto hit records like Springsteen’s \u003c\/span\u003e\u003cspan\u003eNebraska, \u003c\/span\u003e\u003cspan\u003ethe Wu-Tang Clan’s \u003c\/span\u003e\u003cspan\u003eEnter the Wu-Tang, \u003c\/span\u003e\u003cspan\u003eand Spoon’s \u003c\/span\u003e\u003cspan\u003eGimme Fiction\u003c\/span\u003e\u003cspan\u003e. Many of the vocal parts and fuzzy guitar tracks on \u003c\/span\u003e\u003cspan\u003eGimme Fiction \u003c\/span\u003e\u003cspan\u003e– a huge inspiration for the creation of the \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.info\/collections\/all-products\/products\/colour-box-10\"\u003e\u003cspan\u003eColour Box \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e– were actually recorded on a vintage multi-track unit. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we’re proud to bring it to you.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this historically accurate recreation, \u003cstrong\u003ewe perfectly replicated the original 424 MKI circuit using the original UPC4570 and NJM4565 op-amps\u003c\/strong\u003e and all the original controls, which is crucial for recreating the unique character that makes the old units sound so good.  The 424 MKI's gain controls–trim, channel volume, \u0026amp; master volume–all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings. In addition, our unit offers a ¼” output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe 424 Gain Stage as a DI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGoing DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424 without the hassle of dragging around your beloved vintage unit. Leave it on your recording desk for easy access. If you want to get fancy,  you can toss an \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.info\/products\/active-a-b-y\"\u003e\u003cspan\u003eActive A\/B\/Y\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e switcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe 424 Gain Stage with an Amp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlugging a vintage 424 unit into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4\u003eCONTROLS\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eVOLUME\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Corresponds to 424 MKI's Master) \u003c\/span\u003e\u003cspan\u003e- Controls the output volume. Left is less, right is more.  On the 424 MKI, this is the MASTER fader. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eGAIN 1\u003c\/strong\u003e (TRIM) \u003c\/span\u003e\u003cspan\u003e- Sets how much preamplification will be added to the input signal.  On the 424 MKI, this is the TRIM control.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eGAIN 2\u003c\/strong\u003e (CHANNEL) \u003c\/span\u003e\u003cspan\u003e- Sets the volume level of the second gain stage. On the 424 MKI, this is the CHANNEL fader.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eBASS\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Cuts or boosts bass frequencies. Left is less, right is more. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTREBLE\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Cuts or boosts the treble frequencies. Left is less, right is more.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e- Top ¼” right jack.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Top ¼” left jack.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eXLR OUTPUT\u003c\/strong\u003e\u003cspan\u003e - XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1\/4” output and XLR output can be used simultaneously.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eGROUND LIFT\u003c\/strong\u003e\u003cspan\u003e - Dip switch on the left side of the pedal. If you experience a hum\/buzz while using the XLR output, use this switch to lift the ground.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003cspan\u003e - Requires 9VDC center negative power and consumes 50mA. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 424 Gain Stage is silent, soft touch switching with a buffered bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 50MA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003c\/h6\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55963316978044,"sku":"424","price":249.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/250729445885027f.jpg?v=1762855910"},{"product_id":"jhs-pedals-flight-delay-pedal-blue-copy","title":"JHS Pedals Flight Delay Pedal, White","description":"\u003cp\u003eEverything you need in a delay pedal and nothing you don't. The JHS Pedals Flight Delay is a refined, user friendly stompbox that manages to be beautifully simple and highly versatile. Focusing on the most essential delay types and features that matter, the Flight Delay consists of three modes: Analog, Reverse, and Digital, each inspired by existing pedals.\u003c\/p\u003e\n\u003cp\u003eThe Analog mode is a filtered analog-style bucket brigade delay that harkens back to classic echo pedals such as the EHX Memory Man and Boss DM-2. The Reverse mode plays the delay signal backwards, inspired by the likes of the Danelectro Back Talk and Line 6 DL4 Reverse mode. The Digital mode is a crisp delay that pays tribute \u003cspan\u003eto early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOther features include Tap tempo, a subdivision toggle which sets the interval of delay repeats (quarter, eighth, or dotted eighth note) in relation to your tapped tempo and Trails bypass mode which allows the repeats to trail when the pedal is bypassed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eMIX -\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eControls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eREPEATS - \u003c\/span\u003e\u003c\/strong\u003eControls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eEQ -\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAdjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTIME - \u003c\/strong\u003eControls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMODULATION TOGGLE -\u003c\/strong\u003e Sets delay modulation style to chorus, vibrato, or off.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMOD DEPTH -\u003c\/strong\u003e Controls the depth or level of the modulation effect. Left is less, right is more.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMOD RATE -\u003c\/strong\u003e Controls the rate of the modulation. Left is slower, right is faster.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTAP - \u003c\/strong\u003eFor external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eEXPRESSION -\u003c\/strong\u003e For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLEFT FOOTSWITCH -\u003c\/strong\u003e Bypass switch, which turns the effect on and off.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRIGHT FOOTSWITCH -\u003c\/strong\u003e Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eMONO INPUT -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1\/4” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eMONO OUTPUT - \u003c\/strong\u003e1\/4” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55963335033212,"sku":"FDWT","price":239.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/241025431332008f.jpg?v=1762856247"},{"product_id":"jhs-pedals-volture","title":"JHS Pedals Volture","description":"\u003cp class=\"\"\u003eSince the fuzz effect was invented in the early sixties, guitar players have gone to great lengths to achieve the perfect fuzz tone. Legends say that Duane Allman placed his fuzz pedal in the freezer between sessions to cool down the transistors, and that Roger Mayer meticulously modified Hendrix’s Fuzz Faces beyond recognition in search of an elusive, magical fuzz experience. Fortunately, even apart from these mythological methods, there’s one trick that always works: use a dying battery. Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. \u003cbr\u003e\u003cbr\u003eThe Volture is a modern day device for your vintage fuzz circuitry. Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery. As the song says, “Power is made by power being taken.” \u003c\/p\u003e\n\u003cp class=\"\"\u003eThough we developed it specifically for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the Volture, you can input 9, 12 or 18VDC and output an adjustable voltage from 7.5VDC down to 1.25VDC, creating gated, distorted, possibly glitchy but always sputtery fuzz sounds. Input voltage is 9VDC to 18VDC, center negative. Output voltage is 1.25VDC to 7.5VDC, center negative. The Volture uses 10mA in addition to the power when it is active. The Volture should be used with pedals less than 50mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eNOTE: As you turn the voltage down, the LED will dim simultaneously with the voltage level. \u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE VOLTURE USES INDUSTRY STANDARD 2.1MM POWER SUPPLY CABLES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 12MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e**WARNING**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Volture should not be paired with any digital\/logic circuitry-based pedal, otherwise the user risks potential damage to the pedal being powered due to inadequate voltage. As long as your pedal is all analog, you’ll be fine. A dying battery never hurt an analog circuit.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":55963360985468,"sku":"VL","price":79.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/VOLTURE-JHS-Volture-9V-Voltage-Sag-Utility-Pedal__79505.jpg?v=1762856545"},{"product_id":"jhs-pedals-coyote-octave-fuzz-effect-pedal","title":"JHS Pedals Coyote Octave Fuzz Effect Pedal","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA new breed of octave fuzz based on a lost circuit that belongs to no known lineage. Three effects all contained across one knob. A tribute to an unknown pioneer who deserved to be famous.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAn octave fuzz topology that has never been replicated for production — until now\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOne knob sweeps through three distinct effects: swell, fuzz, and octave\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eExceptional touch sensitivity and volume-knob cleanup — rare for any fuzz, unheard of in an octave fuzz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEvery octave fuzz you've ever played traces back to just a handful of circuits: the Octavia, the Super Fuzz, and the Tone Machine. The Coyote doesn't originate from any of these classic topologies. The Coyote is a complete replication of the obscure and very difficult to find Moonrock Fuzz by G.S. Wyllie, a reclusive North Carolina builder who sandcast his own enclosures, etched his own boards, and designed a unique fuzz utilizing a transformer in an unconventional way that sounds like nothing else — the product of wild experimentation combined with solid electrical engineering fundamentals. Here's what makes it strange: the circuit has a transformer, but it's not doing what transformers do in other octave fuzzes. It's not creating the octave at all. Glenn put it somewhere else entirely, where it acts more like an inductive element, shaping how the fuzz stage responds and contributing to the swell, fuzz, and octave character of the control. We've never seen anyone do this. The result is a texture and feel that doesn't exist anywhere else. He never mass-produced them. He passed away in 2014, still building. This is our tribute to Glenn and the wily circuit he left behind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eONE KNOB. THREE WORLDS.\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Swell \/ Fuzz \/ Octave control is the heart of this pedal. It sweeps continuously through three distinct zones — each one a different effect.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSwell\u003c\/span\u003e\u003cspan\u003e — At its lowest setting, notes bloom in with a gated, reversed-tape quality. A slow, breathing attack that rises up from silence. The final stage of the circuit is allowed to turn on gradually, easing the signal in and creating a natural bloom that responds to your picking dynamics. We've only ever seen one other pedal attempt this — a thousand-dollar vintage piece with a dedicated footswitch for it. Glenn built it into a portion of the controls sweep.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFuzz\u003c\/span\u003e\u003cspan\u003e — At noon, a fully realized fuzz tone. Not a Fuzz Face. Not a Big Muff. The texture sits in Tone Bender territory — rich low end, aggressive mids, the kind of fuzz that handles chords. Shoegaze. Psychedelic rock. Full and powerful. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOctave\u003c\/span\u003e\u003cspan\u003e — Fully clockwise, the circuit shifts into aggressive octave-up territory. Intentionally uneven clipping emphasizes even-order harmonics, especially the second harmonic, pushing it above the fundamental to produce that snarling octave-up sound. This is pure Hendrix territory — and Glenn, who met Jimi several times in Greenwich Village, was always pointing here. He landed on it perfectly, his own way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe transitions between zones are continuous. Explore everything in between.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT SURPRISED US\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRoll back your guitar's volume knob and this pedal transforms. At lower settings on the Swell \/ Fuzz \/ Octave control, the Coyote becomes remarkably touch-sensitive — light picking gives you warm, controlled fuzz while digging in triggers the swell. It cleans up better than any octave fuzz we've ever played. That kind of dynamic response is almost unheard of in this category.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePut it first in your chain. Play it into another overdrive or an overdriven amp — that's how almost every iconic octave fuzz tone was created. Clean amps work, but the sound in your head usually has some overdrive after the fuzz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNeck pickup, above the twelfth fret — that's where the octave effect is most pronounced. Humbuckers push the swell and octave harder. Single coils give more clarity. Both sound great.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHO THIS IS FOR\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis pedal isn't for everyone, and we're good with that. If you love Hendrix, Jack White, Gary Clark Jr., Beck, Black Keys, or the octave fuzz on John Mayer's \"Belief\" — you already know you want this. If you're a doom player, a riff rocker, a blues explorer. If you've tried every fuzz on the market and you're still looking for the one you haven't played — you're the Coyote. You're the fuzz scavenger. We found something for you.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eTHE BUILDER\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGlenn S. Wyllie grew up in New Jersey, learned to read schematics from his electrical-engineer father by age twelve, and built his first fuzz pedal at seventeen after hearing \"Satisfaction.\" He met Jimi Hendrix several times in Greenwich Village during that era — and never stopped chasing that sound.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe settled in the Appalachian foothills of North Carolina — woodstove heat, a dog named Simon, a Hendrix poster on the door, and metal guitar shapes hanging from the trees in his driveway. He worked at a local music store, played guitar in a band called Muletrain, and built pedals one at a time for anyone who found him.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work ended up on recordings and stages with Paul Simon, Bruce Springsteen, Stevie Wonder, David Byrne, Joan Baez, and dozens more — played by NYC guitarist Mark Stewart, who called Glenn an \"unacknowledged American master.\" Glenn should be talked about alongside Mike Fuller, Paul Cochrane, AnalogMan Mike, Zachary Vex, and Dave Barber — the pioneers of boutique. But nobody knows his name.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe couldn't find his family to tell them about this project. We tried. He's as elusive in death as he was in life. A true coyote.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVolume\u003c\/span\u003e\u003cspan\u003e — Controls the output volume. Left is less, right is more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSwell \/ Fuzz \/ Octave\u003c\/span\u003e\u003cspan\u003e — Sweeps through three distinct zones. Fully counterclockwise: gated swell with blooming, reversed-tape character. Noon: full, rich fuzz. Fully clockwise: aggressive octave-up with snarling harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTrue Bypass\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e9VDC Center Negative, 5mA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHIS PEDAL MEASURES 2.6\" X 4.8\" X 1.6\". DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":56651293557116,"sku":"CT","price":149.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/JHS-Pedals-Coyote_Front.png?v=1776505820"}],"url":"https:\/\/www.fairdealmusic.co.uk\/collections\/jhs-pedals\/category_modulation.oembed","provider":"Fair Deal Music","version":"1.0","type":"link"}