{"title":"Open-box \u0026 Ex-display Guitars and Basses","description":null,"products":[{"product_id":"fender-johnny-marr-jaguar-metallic-ko","title":"Fender Johnny Marr Jaguar Metallic KO, EX-Display","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eThis Item is an ex-display guitar and may have some damage to it, for more information about the guitar feel free to call us at: 0121 643 1685, or drop us an email at: guitars@fairdealmusic.co.uk\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJohnny Marr has been a stalwart of the UK music scene for over 30 years. Thrown into the limelight in the mid-'80s through his work with indie rockers The Smiths, Marr has since been involved in a number of high-profile musical projects and has even embarked on his own solo venture.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOverview:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout his illustrious career, Marr has been synonymous with the Fender Jaguar - a jangly-sounding offset guitar that perfectly compliments his idiosyncratic, melodic style. And after years of collaboration, Fender and Marr have released a stunning signature instrument - equipped with high-quality pickups from Bare Knuckle and featuring a custom neck shape based on Johnny's original '65 Jaguar.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe elegant Johnny Marr Jaguar features the customary Alder\/Maple construction that so many of Fender's instruments adhere to. While the balanced-sounding Alder body serves as a fantastic tonal foundation for the vibrant single-coils, the Maple neck gives this instrument a definitive snap and plenty of upper mid-range clarity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a neck profile that faithfully follows the shape of Marr's favourite '65 Jag neck, the Fender Johnny Marr Jaguar has an extremely comfortable \"played in\" feel. Adorned with a smooth Rosewood fingerboard that introduces some warm lower mid-range, the neck is also fitted with vintage-style frets for traditional Fender playability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe US-made Johnny Marr Jaguar is fairly unique within the Fender catalogue as it features aftermarket pickups from UK brand Bare Knuckle. Custom-wound to Johnny's tonal tastes, these sparkly-sounding single-coils have plenty of dynamic range and chime to sound beautiful with clean amp settings. Throw in some overdrive, and these medium-output pickups can really sing too!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJohnny explains the customised control layout on his signature Fender Jaguar: \"I replaced the original three switch design with a single four-way Telecaster style switchblade. The first three positions are standard, bridge, both on and neck pickup selections, but when pushed forward into the fourth position it puts the two pickups in series where they act as one big humbucker, giving a darker, thicker sound that you don't normally hear on a Jaguar.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"To give that circuit more possibilities I added a filter switch to the top panel that gives it more high end. By contrast, I always liked the high-pass filter switch from the original Jag design and repositioned it on the upper control panel where the 'jazz circuit' switch is normally found. We also lowered the height of these switches so they are less likely to be activated by accident.\"\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul class=\"bulleted-list\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBody: Alder\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBody Finish: Lacquer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBody Shape: Jaguar\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeck Material: Maple\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeck Finish: Gloss Nitrocellulose Lacquer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeck Shape: Custom Shape Based on Johnny's '65 Jaguar Guitar\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eScale Length: 24\" (610 mm)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFingerboard: Rosewood\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFingerboard Radius: 7.25\" (184.1 mm)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNumber of Frets: 22\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrets Size: Vintage Style\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eString Nut: Synthetic Bone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNut Width: 1.650\" (42 mm)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePosition Inlays: Ivory Dot\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTruss Rods: Vintage-Style Butt Adjust\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBridge Pickup: Custom-Wound Bare Knuckle Johnny Marr\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeck Pickup: Custom-Wound Bare Knuckle Johnny Marr\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eControls: Master Volume, Master Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePickup Switching: 4-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups (In Parallel), Position 3. Neck Pickup, Position 4. Neck and Bridge Pickups (In Series)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBridge: Jaguar Bridge with Mustang Saddles and Vintage Style \"Floating\" Tremolo Tailpiece\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardware Finish: Chrome\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTuning Machines: 6-in-Line American Vintage\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePickguard: 3-Ply White\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eControl Knobs: Black Plastic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStrings: Fender USA 250R Nickel Plated Steel (.010-.046 Gauges)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUnique Features: Custom Wound Pickups, Artist Signature on front of headstock, Nylon Bridge Post Inserts for improved stability; Nylon Insert in Trem Arm Sleeve to prevent arm swing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncluded Accessories: Vintage-style Cable\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCase\/Gig Bag: Hardshell Case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":38012588097716,"sku":"Fender Johnny Marr Jaguar Metallic KO","price":1999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/DSC05646.jpg?v=1713457531"},{"product_id":"takamine-ptu841c-natural","title":"Takamine PTU841C Natural Acoustic Guitar (Ex-Display)","description":"\u003cp\u003e\u003cspan\u003e・TOP：SOLID SPRUCE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・BACK：SOLID ROSEWOOD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・SIDES：ROSEWOOD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・NECK：MAHOGANY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・FINGER BOARD：ROSEWOOD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・SCALE：630mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・NUT WIDTH：42.5mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・PRE-AMP：CT-4BII(PTU)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・POSITION MARK：DIAMOND\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・COLOR：N (gloss)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・INC HARD CASE：HC-800\u003c\/span\u003e\u003c\/p\u003e","brand":"Takamine","offers":[{"title":"Default Title","offer_id":43806189256929,"sku":"PTU841C","price":1199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/ptu841cnatural.jpg?v=1741353606"},{"product_id":"aria-folk-size-guitar-af20-ex-display","title":"Aria Folk Size Guitar AF20 *EX-DISPLAY*","description":"\u003cp\u003eThis guitar is now discontinued but is a great budget guitar.\u003c\/p\u003e\n\u003cp\u003eThe guitar has been played in store but the condition is 'as new'\u003c\/p\u003e\n\u003cp\u003eThe top is a much thicker laminate than other guitars in this price range and produces a much larger sound. You would be better off with this guitar than a cheaper guitar from a better known brand.\u003c\/p\u003e\n\u003cp\u003eThe Aria AF-20 is an excellent steel string acoustic guitar, with many of the same features and quality found in guitars that are twice the price. The sound of the AF-20 is remarkably loud and well-balanced.\u003c\/p\u003e\n\u003cp\u003eThe Aria AF series is a line of acoustic and acoustic-electric guitars with grand auditorium shaped bodies. The AF-20 opens the series and comes with non-cutaway shaped body. The body of this great steel-string guitar is made of rosewood back and sides and spruce sound board on top. The top panel is bound in creme binding and equipped with black plastic pickguard. The bridge section is fit with regular belly shaped bridge made of rosewood. There are no electronics installed on this model. Neck is made of mahogany and it features a 14th fret dovetail joint. Rosewood fingerboard has 20 frets with dot inlays.\u003c\/p\u003e\n\u003cp\u003eTop: Spruce\u003c\/p\u003e\n\u003cp\u003eBack and Sides: Mahogany\u003c\/p\u003e\n\u003cp\u003eNeck: Mahogany\u003c\/p\u003e\n\u003cp\u003eFingerboard: Rosewood\u003c\/p\u003e\n\u003cp\u003eNumber of Frets: 20\u003c\/p\u003e\n\u003cp\u003eScale Length: 650mm\u003c\/p\u003e\n\u003cp\u003eBridge: Rosewood\u003c\/p\u003e\n\u003cp\u003eHardware: Chrome\u003c\/p\u003e\n\u003cp\u003eFolk size acoustic guitar with steel strings.\u003cbr\u003e\u003c\/p\u003e","brand":"Aria","offers":[{"title":"Default Title","offer_id":44033377140961,"sku":"AF-20 OPENED BOX","price":135.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/af20n_3d2e71f5-bc25-498c-a7a7-ae0f44d838a6.jpg?v=1692797788"},{"product_id":"marshall-jcm900-4100-valve-guitar-amp-head-open-box","title":"Marshall JCM900 4100 Valve Guitar Amp Head [OPEN-BOX]","description":"\u003cp\u003eThe Marshall JCM900 4100 Dual Reverb is a powerful, British-made 100-watt valve amplifier head created for players who need authoritative stage volume, articulate cleans and aggressive high-gain Marshall tones.\u003c\/p\u003e\n\u003cp\u003eOriginally introduced in 1990 as an evolution of the JCM800 generation, the 4100 adds a second channel, independent channel volumes, separate spring-reverb controls and a broader range of onboard gain. Channel A covers articulate cleans, responsive breakup and driven rhythm tones, while Channel B provides the additional saturation, compression and sustain required for hard rock, punk, alternative music and lead playing.\u003c\/p\u003e\n\u003cp\u003eA switchable 100W\/50W output setting offers greater control for different environments, while the adjustable effects loop supports floor pedals and compatible rack equipment. Built at Marshall’s factory in Bletchley, England, the JCM900 4100 remains a formidable professional amplifier for touring, recording and full-volume live performance.\u003c\/p\u003e\n\u003cp\u003eThis Open Box example has been inspected and tested by the Fair Deal Music team and offers the complete performance of the JCM900 4100 at a reduced price.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CajXa89rl34?si=EcSfvFQv93oA4ang\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eAt A Glance\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eFeature\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eMarshall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eJCM900 4100 Dual Reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRange\u003c\/td\u003e\n\u003ctd\u003eVintage Reissue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduct Type\u003c\/td\u003e\n\u003ctd\u003eValve guitar amplifier head\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eOpen Box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Power\u003c\/td\u003e\n\u003ctd\u003e100 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReduced-Power Setting\u003c\/td\u003e\n\u003ctd\u003e50 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels\u003c\/td\u003e\n\u003ctd\u003eTwo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel A\u003c\/td\u003e\n\u003ctd\u003eClean, breakup and driven rhythm tones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel B\u003c\/td\u003e\n\u003ctd\u003eLead and higher-gain distortion\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb\u003c\/td\u003e\n\u003ctd\u003eSpring reverb with independent channel controls\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects Loop\u003c\/td\u003e\n\u003ctd\u003eYes, with level control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePreamp Valves\u003c\/td\u003e\n\u003ctd\u003eTwo ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase Splitter\u003c\/td\u003e\n\u003ctd\u003eOne ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Valves\u003c\/td\u003e\n\u003ctd\u003eFour 5881\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Outputs\u003c\/td\u003e\n\u003ctd\u003eTwo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003eSelectable 16Ω, 8Ω or 4Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n\u003ctd\u003eUnited Kingdom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMain Appeal\u003c\/td\u003e\n\u003ctd\u003eFull-sized JCM900 power with dual-channel versatility\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBest For\u003c\/td\u003e\n\u003ctd\u003eRock, hard rock, punk, grunge, alternative music and professional live use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSkill Level\u003c\/td\u003e\n\u003ctd\u003eIntermediate to professional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhy Choose the Marshall JCM900 4100?\u003c\/h2\u003e\n\u003ch3\u003eA Defining Marshall Sound of the 1990s\u003c\/h3\u003e\n\u003cp\u003eThe JCM900 4100 was originally released in January 1990, building on the established Marshall Master Volume formula with increased gain, reduced noise and two-channel flexibility.\u003c\/p\u003e\n\u003cp\u003eIts direct attack, controlled low end and assertive upper midrange became a major part of rock, alternative, punk and heavier guitar sounds throughout the decade.\u003c\/p\u003e\n\u003cp\u003eThe Vintage Reissue retains the established control layout, gain structure and visual identity of the original amplifier while being manufactured at Marshall’s UK factory.\u003c\/p\u003e\n\u003ch3\u003eTwo Distinct Channels\u003c\/h3\u003e\n\u003cp\u003eThe 4100 provides two channels with independent Gain, Volume and Reverb controls.\u003c\/p\u003e\n\u003cp\u003eThis allows two complete sounds to be prepared, balanced and selected remotely using the supplied footswitch.\u003c\/p\u003e\n\u003ch4\u003eChannel A\u003c\/h4\u003e\n\u003cp\u003eChannel A covers the amplifier’s cleaner and lower-gain range.\u003c\/p\u003e\n\u003cp\u003eLower Gain settings deliver bright and articulate clean tones with the headroom expected from a 100-watt amplifier. Increasing the control introduces progressively more warmth, compression and British-style breakup.\u003c\/p\u003e\n\u003cp\u003eChannel A is particularly effective for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePowerful clean rhythm tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlues and blues rock\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndie and alternative guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePunk rhythm sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClassic-rock crunch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePedal-based rigs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEdge-of-breakup playing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eChannel B\u003c\/h4\u003e\n\u003cp\u003eChannel B provides the amplifier’s dedicated Lead Gain control and higher-gain voice.\u003c\/p\u003e\n\u003cp\u003eLower settings deliver muscular rock crunch, while higher settings introduce additional saturation, compression and sustain.\u003c\/p\u003e\n\u003cp\u003eChannel B is well suited to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHard-rock rhythm guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePunk and grunge\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHeavy alternative music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAggressive power chords\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSustaining lead tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-output humbuckers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLayered distorted guitar parts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIndependent Channel Volumes\u003c\/h3\u003e\n\u003cp\u003eEach channel has its own Volume control, allowing rhythm and lead levels to be balanced accurately.\u003c\/p\u003e\n\u003cp\u003eChannel A can be configured for clean or crunchy rhythm playing, while Channel B can be set louder for solos. This produces a genuine level increase rather than simply adding more distortion.\u003c\/p\u003e\n\u003cp\u003eIndependent volumes are also useful when changing between guitars with different pickup outputs.\u003c\/p\u003e\n\u003ch3\u003eDual Spring Reverb\u003c\/h3\u003e\n\u003cp\u003eChannel A and Channel B each have a dedicated Reverb control.\u003c\/p\u003e\n\u003cp\u003eThis allows a restrained ambience to be prepared for clean or rhythm sounds while a more spacious setting is used for leads.\u003c\/p\u003e\n\u003cp\u003eThe genuine spring-reverb system adds natural depth and movement without requiring a separate pedal. Because the level is independently adjustable for each channel, switching channels does not force both sounds to use the same amount of ambience.\u003c\/p\u003e\n\u003ch3\u003eSwitchable 100W and 50W Output\u003c\/h3\u003e\n\u003cp\u003eThe JCM900 4100 can operate at either 100 watts or 50 watts.\u003c\/p\u003e\n\u003ch4\u003e100-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe full-output setting provides maximum:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eClean headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBass authority\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStage projection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow-frequency control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerformance volume\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt is intended for professional stages, loud rehearsals and studios equipped to manage a full-powered valve amplifier.\u003c\/p\u003e\n\u003ch4\u003e50-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe reduced-output setting lowers the available power while retaining the amplifier’s essential tonal character.\u003c\/p\u003e\n\u003cp\u003eIt is useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSmaller stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eControlled rehearsals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStudio sessions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEarlier power-stage response\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSituations where the full 100-watt output is unnecessary\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 50-watt setting remains extremely powerful and is not equivalent to a low-volume home-practice mode.\u003c\/p\u003e\n\u003ch3\u003eFour 5881 Power Valves\u003c\/h3\u003e\n\u003cp\u003eThe power stage uses four 5881 valves to deliver a firm and controlled response.\u003c\/p\u003e\n\u003cp\u003eThe 5881 configuration contributes to the amplifier’s:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eStrong clean headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTight low-frequency response\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eImmediate attack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClear note separation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePowerful stage projection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDefined high-gain rhythm sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe amplifier responds dynamically to picking strength, guitar-volume changes and pickup output.\u003c\/p\u003e\n\u003ch3\u003eShared Four-Band Tone Shaping\u003c\/h3\u003e\n\u003cp\u003eTreble, Middle, Bass and Presence controls shape both channels.\u003c\/p\u003e\n\u003ch4\u003eTreble\u003c\/h4\u003e\n\u003cp\u003eControls upper-frequency brightness and attack. Increasing Treble adds definition and cutting power.\u003c\/p\u003e\n\u003ch4\u003eMiddle\u003c\/h4\u003e\n\u003cp\u003eAdjusts the core body and projection of the guitar sound. Higher settings produce a fuller and more prominent response, while lower settings create a more scooped character.\u003c\/p\u003e\n\u003ch4\u003eBass\u003c\/h4\u003e\n\u003cp\u003eControls low-frequency weight. Reducing Bass can tighten heavily distorted rhythm tones, while increasing it adds depth to clean and lower-gain sounds.\u003c\/p\u003e\n\u003ch4\u003ePresence\u003c\/h4\u003e\n\u003cp\u003eShapes the upper-frequency response of the power stage. Higher settings add bite, immediacy and stage projection.\u003c\/p\u003e\n\u003cp\u003eThe shared EQ helps maintain a consistent tonal foundation when switching between channels.\u003c\/p\u003e\n\u003ch3\u003eAdjustable Effects Loop\u003c\/h3\u003e\n\u003cp\u003eThe rear-panel effects loop includes Send and Return connections plus an adjustable level control.\u003c\/p\u003e\n\u003cp\u003eThis makes it suitable for compatible:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDelay pedals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eReverb pedals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChorus\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhaser\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlanger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTremolo\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMulti-effects units\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRack-mounted processors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe adjustable level helps balance different types of effects equipment with the amplifier.\u003c\/p\u003e\n\u003cp\u003ePlacing delay, reverb and modulation after the preamp can preserve clarity when Channel B is producing substantial distortion.\u003c\/p\u003e\n\u003ch3\u003eProfessional 100W Performance\u003c\/h3\u003e\n\u003cp\u003eThe JCM900 4100 is a full-sized amplifier designed for serious volume and stage authority.\u003c\/p\u003e\n\u003cp\u003eIts 100-watt output provides the headroom and projection required for large cabinets, loud bands and professional live environments. It also delivers a physical low-frequency response that smaller amplifier heads cannot fully reproduce.\u003c\/p\u003e\n\u003ch3\u003eBuilt in Bletchley, England\u003c\/h3\u003e\n\u003cp\u003eThe JCM900 4100 is designed, engineered and manufactured at Marshall’s factory in Bletchley, England.\u003c\/p\u003e\n\u003cp\u003eIts black covering, gold control panel, white script logo and full-width head enclosure retain the unmistakable appearance of a professional Marshall amplifier.\u003c\/p\u003e\n\u003ch2\u003eWhy Choose a 100W Valve Amplifier Head?\u003c\/h2\u003e\n\u003cp\u003eA 100-watt valve amplifier provides significantly greater headroom, bass control and stage projection than a compact practice or studio amplifier.\u003c\/p\u003e\n\u003cp\u003eIt is particularly suited to players who need:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eClean sounds at high performance levels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTight bass through large speaker cabinets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStrong dynamic response\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConsistent projection across large stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSufficient power for loud rock bands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA professional touring amplifier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe physical response of a full-sized valve rig\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChoosing a separate head also allows the speaker cabinet to be selected for each environment.\u003c\/p\u003e\n\u003cp\u003eA 2x12 provides a more transportable setup, while a 4x12 delivers the greatest projection and the traditional JCM900 playing experience.\u003c\/p\u003e\n\u003ch2\u003eWho Is It For?\u003c\/h2\u003e\n\u003ch3\u003eRock and Hard-Rock Guitarists\u003c\/h3\u003e\n\u003cp\u003eThe JCM900’s focused low end, assertive midrange and biting attack make it an excellent amplifier for powerful rhythm work and sustaining lead tones.\u003c\/p\u003e\n\u003ch3\u003ePunk and Alternative Players\u003c\/h3\u003e\n\u003cp\u003eIts immediate response and aggressive gain suit fast rhythm guitar, power chords and energetic live performance.\u003c\/p\u003e\n\u003ch3\u003eGrunge Guitarists\u003c\/h3\u003e\n\u003cp\u003eThe 4100’s combination of raw crunch, saturated lead gain and controlled bass is particularly effective for layered 1990s-inspired guitar sounds.\u003c\/p\u003e\n\u003ch3\u003eProfessional Gigging Musicians\u003c\/h3\u003e\n\u003cp\u003eIts 100-watt output, two channels, independent volumes and footswitch operation make it a serious stage amplifier.\u003c\/p\u003e\n\u003ch3\u003eRecording Studios\u003c\/h3\u003e\n\u003cp\u003eThe two channels, dual reverb controls and switchable output provide several related but distinct Marshall sounds from one head.\u003c\/p\u003e\n\u003cp\u003eStudios equipped with isolation rooms, attenuators or professional load equipment can explore its full gain and power-stage response.\u003c\/p\u003e\n\u003ch3\u003ePedal Users\u003c\/h3\u003e\n\u003cp\u003eChannel A provides a powerful foundation for boosts, overdrives, distortion pedals and fuzz.\u003c\/p\u003e\n\u003cp\u003eTime-based and modulation effects can be connected through the adjustable effects loop.\u003c\/p\u003e\n\u003ch3\u003ePlayers Seeking Full-Sized Marshall Authority\u003c\/h3\u003e\n\u003cp\u003eThe JCM900 4100 is intended for musicians who want the headroom, low-frequency control and physical response of a traditional 100-watt amplifier rather than a reduced-power studio model.\u003c\/p\u003e\n\u003ch2\u003eCondition Overview\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eOpen Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe retail packaging has been opened, so this amplifier is offered at a reduced price rather than as factory-sealed stock.\u003c\/p\u003e\n\u003cp\u003eThe amplifier has been inspected and tested by the Fair Deal Music team to confirm correct operation. Please refer to the product photographs for its exact cosmetic and packaging presentation.\u003c\/p\u003e\n\u003ch2\u003eWhat’s Included?\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMarshall JCM900 4100 Dual Reverb amplifier head\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMarshall PEDL-91004 footswitch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDetachable mains power cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSpeaker cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eManufacturer documentation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eCondition Notes\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eOpen Box example\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRetail packaging has been opened\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInspected and tested for correct operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExact cosmetic and packaging condition shown in the product photographs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFair Deal Quality Control Assessment\u003c\/h2\u003e\n\u003cp\u003eThe amplifier has been inspected and tested by the Fair Deal Music team.\u003c\/p\u003e\n\u003cp\u003eOur assessment includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eInstrument input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel A operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel B operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel switching\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFootswitch operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel A Gain and Volume\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel B Lead Gain and Volume\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent Reverb controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSpring-reverb operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTreble, Middle, Bass and Presence controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e100-watt mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e50-watt mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEffects-loop Send and Return\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEffects-loop level control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSpeaker outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eImpedance selector\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower and standby operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreamp and power-valve operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChecks for unwanted noise or intermittent controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eUnderstanding the JCM900 4100 Sound\u003c\/h2\u003e\n\u003ch3\u003eHigh-Headroom Clean\u003c\/h3\u003e\n\u003cp\u003eUse Channel A with a lower Gain setting and raise its Volume.\u003c\/p\u003e\n\u003cp\u003eThis produces a clear and powerful clean sound with sufficient headroom for pedals and high-volume rhythm playing.\u003c\/p\u003e\n\u003ch3\u003eChannel A Crunch\u003c\/h3\u003e\n\u003cp\u003eIncreasing Channel A Gain introduces progressively more breakup and compression.\u003c\/p\u003e\n\u003cp\u003eThe resulting sound suits blues rock, punk, alternative music and classic-rock rhythm playing.\u003c\/p\u003e\n\u003ch3\u003eChannel B Rock Rhythm\u003c\/h3\u003e\n\u003cp\u003eUse a moderate Lead Gain setting for focused distortion with strong note separation.\u003c\/p\u003e\n\u003cp\u003eThis works particularly well for power chords, driving riffs and layered rhythm parts.\u003c\/p\u003e\n\u003ch3\u003eChannel B High Gain\u003c\/h3\u003e\n\u003cp\u003eHigher Lead Gain settings add compression, saturation and sustain.\u003c\/p\u003e\n\u003cp\u003eCarefully balancing Bass, Middle and Presence helps retain clarity when using high-output pickups or lower tunings.\u003c\/p\u003e\n\u003ch3\u003eLead Boost Setup\u003c\/h3\u003e\n\u003cp\u003eSet Channel B slightly louder than Channel A and add the required reverb level.\u003c\/p\u003e\n\u003cp\u003eThe footswitch can then move directly from a rhythm sound to a louder and more sustaining solo tone.\u003c\/p\u003e\n\u003ch3\u003ePedal-Platform Configuration\u003c\/h3\u003e\n\u003cp\u003eUse Channel A with reduced Gain and greater Volume for a strong clean or edge-of-breakup foundation.\u003c\/p\u003e\n\u003cp\u003eExternal boosts, overdrives, distortion pedals and fuzz can then provide additional gain.\u003c\/p\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eMarshall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eJCM900 4100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRange\u003c\/td\u003e\n\u003ctd\u003eVintage Reissue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmplifier Type\u003c\/td\u003e\n\u003ctd\u003eValve guitar amplifier head\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Power\u003c\/td\u003e\n\u003ctd\u003e100 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReduced-Power Output\u003c\/td\u003e\n\u003ctd\u003e50 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels\u003c\/td\u003e\n\u003ctd\u003eTwo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Input\u003c\/td\u003e\n\u003ctd\u003eOne 1\/4-inch jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel A Controls\u003c\/td\u003e\n\u003ctd\u003eGain, Volume and Reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel B Controls\u003c\/td\u003e\n\u003ctd\u003eLead Gain, Volume and Reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShared Equalisation\u003c\/td\u003e\n\u003ctd\u003eTreble, Middle and Bass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower-Amp Tone Control\u003c\/td\u003e\n\u003ctd\u003ePresence\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb\u003c\/td\u003e\n\u003ctd\u003eDual-control spring reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects Loop\u003c\/td\u003e\n\u003ctd\u003eSend and Return with level control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePreamp Valves\u003c\/td\u003e\n\u003ctd\u003eTwo ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase Splitter Valve\u003c\/td\u003e\n\u003ctd\u003eOne ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Valves\u003c\/td\u003e\n\u003ctd\u003eFour 5881\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Outputs\u003c\/td\u003e\n\u003ctd\u003eTwo 1\/4-inch jack sockets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003eSelectable 16Ω, 8Ω or 4Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003e740mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeight\u003c\/td\u003e\n\u003ctd\u003e310mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDepth\u003c\/td\u003e\n\u003ctd\u003e210mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApproximately 18.8kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eBlack with gold control panel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n\u003ctd\u003eUnited Kingdom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003ePower and Speaker Requirements\u003c\/h2\u003e\n\u003cp\u003eThe Marshall JCM900 4100 requires a suitable mains electricity connection and a compatible external guitar speaker cabinet.\u003c\/p\u003e\n\u003cp\u003eThe amplifier must never be powered on without a correctly connected speaker cabinet or properly rated professional load device.\u003c\/p\u003e\n\u003cp\u003eThe impedance selector must match the total load of the connected cabinet arrangement.\u003c\/p\u003e\n\u003cp\u003eCommon configurations include:\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eCabinet Configuration\u003c\/th\u003e\n\u003cth\u003eAmplifier Setting\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 16Ω cabinet\u003c\/td\u003e\n\u003ctd\u003e16Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTwo 16Ω cabinets\u003c\/td\u003e\n\u003ctd\u003e8Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 8Ω cabinet\u003c\/td\u003e\n\u003ctd\u003e8Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTwo 8Ω cabinets\u003c\/td\u003e\n\u003ctd\u003e4Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 4Ω cabinet\u003c\/td\u003e\n\u003ctd\u003e4Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eAlways use a proper speaker cable between the amplifier and cabinet. A standard screened guitar cable must not be used for this connection.\u003c\/p\u003e\n\u003cp\u003eThe selected cabinet must have sufficient power handling for a 100-watt valve amplifier.\u003c\/p\u003e\n\u003ch2\u003eWhich Speaker Cabinet Should You Choose?\u003c\/h2\u003e\n\u003ch3\u003eMarshall 1960A\u003c\/h3\u003e\n\u003cp\u003eThe angled 4x12 format directs the upper speakers towards the player and provides the projection, spread and visual presence associated with a classic Marshall half stack.\u003c\/p\u003e\n\u003ch3\u003eMarshall 1960B\u003c\/h3\u003e\n\u003cp\u003eThe straight-front 4x12 offers a focused response with substantial low-frequency authority.\u003c\/p\u003e\n\u003cp\u003eIt can be used independently or underneath an angled cabinet as part of a full stack.\u003c\/p\u003e\n\u003ch3\u003eMarshall 1960AV or 1960BV\u003c\/h3\u003e\n\u003cp\u003eThese Vintage cabinets provide a prominent upper-midrange response that works especially well for hard-rock rhythm and lead tones.\u003c\/p\u003e\n\u003ch3\u003eCompatible 2x12 Cabinet\u003c\/h3\u003e\n\u003cp\u003eA properly rated 2x12 creates a more portable rig while retaining strong projection and low-frequency depth.\u003c\/p\u003e\n\u003cp\u003eThe cabinet’s impedance and power handling must be suitable for the amplifier.\u003c\/p\u003e\n\u003ch2\u003eComparison With Other Marshall Amplifier Heads\u003c\/h2\u003e\n\u003ch3\u003eMarshall JCM900 4100\u003c\/h3\u003e\n\u003cp\u003eThe 4100 provides full 100-watt output, two channels, independent channel volumes, separate spring-reverb controls and the commanding response of a traditional full-sized head.\u003c\/p\u003e\n\u003cp\u003eIt is intended for players who need maximum headroom and stage authority.\u003c\/p\u003e\n\u003ch3\u003eMarshall SN20H Studio 900\u003c\/h3\u003e\n\u003cp\u003eThe SN20H condenses JCM900-inspired tones into a smaller 20-watt head with 5-watt and under-1-watt settings.\u003c\/p\u003e\n\u003cp\u003eIt is easier to transport and manage at home, while the 4100 provides substantially greater headroom, bass authority and live projection.\u003c\/p\u003e\n\u003ch3\u003eMarshall JCM800 2203\u003c\/h3\u003e\n\u003cp\u003eThe JCM800 2203 uses a more direct single-channel Master Volume design with a raw and aggressive response.\u003c\/p\u003e\n\u003cp\u003eThe JCM900 4100 adds a second channel, dedicated lead gain and independently adjustable reverb.\u003c\/p\u003e\n\u003ch3\u003eMarshall DSL100HR\u003c\/h3\u003e\n\u003cp\u003eThe DSL100HR offers a broader modern feature set and multiple gain modes.\u003c\/p\u003e\n\u003cp\u003eThe JCM900 4100 is aimed at players seeking the more focused response, control layout and distinctive character of Marshall’s early-1990s amplifier generation.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eCan the two channels be switched remotely?\u003c\/h3\u003e\n\u003cp\u003eYes. The supplied PEDL-91004 footswitch provides remote channel control for live performance.\u003c\/p\u003e\n\u003ch3\u003eHow useful is the 50-watt setting?\u003c\/h3\u003e\n\u003cp\u003eThe reduced setting lowers the available output and changes the power-stage response, but it remains extremely loud.\u003c\/p\u003e\n\u003cp\u003eIt is best considered a more manageable professional setting rather than a quiet home-practice mode.\u003c\/p\u003e\n\u003ch3\u003eCan delay and reverb pedals be used after the amplifier’s distortion?\u003c\/h3\u003e\n\u003cp\u003eYes. The adjustable effects loop provides an effective connection point for compatible time-based and modulation effects.\u003c\/p\u003e\n\u003ch3\u003eIs it suitable for a clean pedalboard rig?\u003c\/h3\u003e\n\u003cp\u003eChannel A offers considerable headroom at lower Gain settings, making it a powerful platform for external drive and effects pedals.\u003c\/p\u003e\n\u003ch3\u003eCan it be recorded silently?\u003c\/h3\u003e\n\u003cp\u003eThe amplifier does not provide a dedicated silent recording output. Silent operation requires a correctly rated professional reactive-load device designed for a 100-watt valve amplifier.\u003c\/p\u003e\n\u003ch3\u003eDoes the amplifier require biasing after power-valve replacement?\u003c\/h3\u003e\n\u003cp\u003eYes. The power-valve bias must be checked and adjusted by a suitably qualified amplifier technician when the 5881 valves are replaced.\u003c\/p\u003e\n\u003ch3\u003eIs the JCM900 suitable for lower tunings?\u003c\/h3\u003e\n\u003cp\u003eYes. Its firm power section and controlled bass response work well for lower tunings.\u003c\/p\u003e\n\u003cp\u003eCareful adjustment of Bass and Gain helps preserve definition during heavily distorted rhythm playing.\u003c\/p\u003e\n\u003ch3\u003eCan two speaker cabinets be connected?\u003c\/h3\u003e\n\u003cp\u003eYes. Two speaker outputs are provided.\u003c\/p\u003e\n\u003cp\u003eThe combined cabinet load must match the selected amplifier impedance.\u003c\/p\u003e\n\u003ch2\u003eFair Deal Music Verdict\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e★★★★★ 5\/5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Marshall JCM900 4100 remains a formidable professional amplifier for players seeking the focused attack, powerful crunch and sustaining gain that helped define rock guitar throughout the 1990s.\u003c\/p\u003e\n\u003cp\u003eIts two channels provide a genuinely useful transition from high-headroom cleans and muscular rhythm tones to saturated leads, while the independent volumes and spring-reverb controls make it practical for live performance. The switchable 100W\/50W output and adjustable effects loop add flexibility without compromising the direct character of the amplifier.\u003c\/p\u003e\n\u003cp\u003eThis is not a low-volume practice head. It is a full-sized, British-made Marshall designed for substantial speaker cabinets, professional stages and properly equipped studios.\u003c\/p\u003e\n\u003cp\u003eOffered as a professionally checked Open Box example, it represents an excellent opportunity to own an iconic JCM900 Vintage Reissue at a reduced price.\u003c\/p\u003e\n\u003ch2\u003eWhy Buy From Fair Deal Music?\u003c\/h2\u003e\n\u003cp\u003eChoosing Fair Deal Music means buying from a passionate team of musicians who genuinely understand the products we sell. Whether you’re purchasing your first instrument, upgrading your current setup or searching for something special, we’re here to help you make the right choice with friendly advice and expert support.\u003c\/p\u003e\n\u003cp\u003eWhen you shop with Fair Deal Music, you can buy with confidence thanks to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eExpert advice from knowledgeable musicians\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCarefully checked new, used, pre-owned and ex-display equipment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompetitive prices on leading music brands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSecure UK-wide delivery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlexible finance options available, subject to status\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFriendly support before and after your purchase\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA trusted independent UK music retailer with decades of experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrade In. Trade Up. Save More.\u003c\/h3\u003e\n\u003cp\u003eThinking about upgrading? Your next piece of gear could cost less than you think. We’re always happy to consider part exchanges and trade-ins on a wide range of musical instruments and equipment.\u003c\/p\u003e\n\u003cp\u003eWhether you’re looking to trade a guitar, amplifier, keyboard, drum kit, pedal or studio equipment, our team can provide a fair, no-obligation valuation and help make your next upgrade more affordable.\u003c\/p\u003e\n\u003cp\u003eContact our team or visit the Fair Deal Music Birmingham showroom to discuss your equipment and discover how much you could save.\u003c\/p\u003e","brand":"Marshall","offers":[{"title":"Default Title","offer_id":54880129515900,"sku":"JCM900 4100 OB","price":1100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/products\/jcm900.jpg?v=1625222989"},{"product_id":"jackson-pro-series-signature-mark-heylmun-rhoads-rr24-7-ebony-lux-ex-display","title":"Jackson Pro Series Signature Mark Heylmun Rhoads RR24-7 Ebony Lux, Ex-Display","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eThis Item is an ex-display item so may have some signs of damage, feel free to call up and ask about the instrument 0121 643 1685\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe Jackson Pro Series Signature Mark Heylmun Rhoads RR24-7 Ebony Lux is a high-performance, 7-string metal machine designed in collaboration with Suicide Silence’s Mark Heylmun. With its aggressive Rhoads V shape and sleek Ebony Lux finish, this guitar delivers both striking aesthetics and uncompromising playability. The body is crafted from resonant alder, offering a balanced tonal foundation, while the through-body three-piece maple neck provides superior sustain and stability. A 12”-16” compound-radius ebony fingerboard with 24 jumbo frets ensures effortless playability, perfect for fast riffing and intricate solos.  \u003c\/p\u003e\n\u003cp\u003eEquipped with a pair of EMG 707 active pickups, this guitar is built to handle crushing high-gain tones with searing clarity and depth. The EMG 707s deliver tight, articulate lows and aggressive mids, making them ideal for extended-range playing without sacrificing definition. The simplified control layout, featuring a single volume knob and a three-way toggle switch, allows for quick tonal adjustments without unnecessary distractions. \u003c\/p\u003e\n\u003cp\u003eA Floyd Rose 1000 Series double-locking tremolo system provides exceptional tuning stability, allowing for deep divebombs and precise vibrato techniques. The black hardware complements the dark, menacing aesthetic, while Jackson’s signature pointed headstock adds to its bold visual presence. \u003c\/p\u003e\n\u003cp\u003eBuilt for extreme precision and designed to handle the most demanding metal styles, the Jackson Pro Series Signature Mark Heylmun Rhoads RR24-7 Ebony Lux is an uncompromising instrument for players who need speed, aggression, and tonal clarity in a 7-string format. Whether you’re shredding on stage or recording brutal riffs in the studio, this signature model delivers elite performance with striking style.\u003c\/p\u003e","brand":"Jackson","offers":[{"title":"Default Title","offer_id":54917104664956,"sku":"Jackson Pro Series Signature Mark Heylmun Rhoads RR24-7 Ebony Lux, Ex-Display","price":949.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/DSC03263.jpg?v=1738414909"},{"product_id":"red-witch-famulus-distortion-pedal-ex-display","title":"Red Witch Famulus Distortion Pedal, Ex-Display","description":"\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003eRed Witch Famulus Distortion Pedal, The Famulus is a distortion\/overdrive pedal with two totally separate, parallel circuits inside.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003eServant to the Sorcerer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003e\"Alchemy is a bridge between Earth and Heaven, matter and spirit, the solid and the fluid, the visible and the invisible, bringing the horizontal and the vertical together.\"\u003c\/em\u003e\u003c\/strong\u003e ~ \u003cspan style=\"font-size: small;\"\u003eJ. Ramsay. \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small;\"\u003eThe Famulus is a distortion\/overdrive pedal with two totally separate, parallel circuits inside.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small;\"\u003eEach circuit has it’s own distinct voicing. You are able to blend between the two for any conceivable combination.\u003c\/span\u003e\u003c\/p\u003e","brand":"Red Witch","offers":[{"title":"Default Title","offer_id":55111225082236,"sku":"Red Witch Famulus, Ex-Display","price":176.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/products\/famulus-large.jpg?v=1625220945"},{"product_id":"marshall-sn20h-jcm900-20w-valve-head-ex-display","title":"Marshall SN20H JCM900 20W Valve Head, (Ex-Display)","description":"\u003cp\u003eThe Marshall SN20H Studio 900 brings the distinctive power, clarity and aggressive crunch of the legendary JCM900 into a compact, British-made 20-watt amplifier head.\u003c\/p\u003e\n\u003cp\u003eIts two-channel design covers everything from bright cleans and responsive British crunch to saturated rock leads, with separate Gain, Volume and Reverb controls for each channel. Shared Treble, Middle, Bass and Presence controls make it easy to shape the amplifier around different guitars, speaker cabinets and playing environments.\u003c\/p\u003e\n\u003cp\u003eSwitchable 20-watt, 5-watt and under-1-watt output modes make the SN20H suitable for live performance, band rehearsals, studio recording and controlled home practice. An adjustable effects loop, direct line output and recording-compensated output provide the connectivity required for modern pedalboards, rack processors and recording setups.\u003c\/p\u003e\n\u003cp\u003eThis Ex-Display amplifier has been inspected and tested by the Fair Deal Music team and offers the complete Studio 900 experience at a reduced price.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5I10kQUCbi8?si=vATncnOEweOWOVdk\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eAt A Glance\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eFeature\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eMarshall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eSN20H Studio 900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInspiration\u003c\/td\u003e\n\u003ctd\u003eMarshall JCM900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduct Type\u003c\/td\u003e\n\u003ctd\u003eValve guitar amplifier head\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eEx-Display\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Power\u003c\/td\u003e\n\u003ctd\u003e20 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReduced-Power Modes\u003c\/td\u003e\n\u003ctd\u003e5 watts and under 1 watt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels\u003c\/td\u003e\n\u003ctd\u003eTwo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel A\u003c\/td\u003e\n\u003ctd\u003eClean to medium drive and crunch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel B\u003c\/td\u003e\n\u003ctd\u003eClassic lead to higher-gain sustain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb\u003c\/td\u003e\n\u003ctd\u003eBuilt-in with independent control for each channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects Loop\u003c\/td\u003e\n\u003ctd\u003eSend and return with adjustable level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Outputs\u003c\/td\u003e\n\u003ctd\u003eDirect and recording-compensated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Outputs\u003c\/td\u003e\n\u003ctd\u003eFive outputs supporting 16Ω, 8Ω and 4Ω loads\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFootswitch\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePreamp Valves\u003c\/td\u003e\n\u003ctd\u003eTwo ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase Splitter\u003c\/td\u003e\n\u003ctd\u003eOne ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Valves\u003c\/td\u003e\n\u003ctd\u003eTwo 5881\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n\u003ctd\u003eUnited Kingdom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMain Appeal\u003c\/td\u003e\n\u003ctd\u003eJCM900-inspired tones with modern power control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBest For\u003c\/td\u003e\n\u003ctd\u003eRock, hard rock, punk, alternative music, recording and gigging\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSkill Level\u003c\/td\u003e\n\u003ctd\u003eIntermediate to professional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhy Choose the Marshall SN20H Studio 900?\u003c\/h2\u003e\n\u003ch3\u003eIconic JCM900-Inspired Tone\u003c\/h3\u003e\n\u003cp\u003eThe SN20H is inspired by the two-channel Marshall JCM900, an amplifier associated with the powerful rock sounds of the 1990s and beyond.\u003c\/p\u003e\n\u003cp\u003eIts focused low end, assertive midrange and biting upper-frequency response help guitar parts remain clear within dense band arrangements. The amplifier delivers strong note separation for rhythm playing while retaining the sustain and compression required for expressive lead work.\u003c\/p\u003e\n\u003cp\u003eThe lower-powered Studio format provides this recognisable character without the extreme output of the original full-sized amplifier.\u003c\/p\u003e\n\u003ch3\u003eTwo Versatile Channels\u003c\/h3\u003e\n\u003cp\u003eThe SN20H provides two channels with separate Gain, Master Volume and Reverb controls.\u003c\/p\u003e\n\u003cp\u003eThis allows two complete sounds to be prepared and selected using the front-panel button or included footswitch.\u003c\/p\u003e\n\u003ch4\u003eChannel A\u003c\/h4\u003e\n\u003cp\u003eChannel A covers the cleaner and lower-gain side of the amplifier.\u003c\/p\u003e\n\u003cp\u003eLower Gain settings produce bright, articulate clean sounds with useful headroom. Increasing the control introduces medium drive, compression and British-style crunch.\u003c\/p\u003e\n\u003cp\u003eChannel A is ideal for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eClean rhythm playing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlues\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndie and alternative music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePunk\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClassic-rock crunch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEdge-of-breakup sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePedal-based rigs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eChannel B\u003c\/h4\u003e\n\u003cp\u003eChannel B provides the amplifier’s lead and higher-gain voice.\u003c\/p\u003e\n\u003cp\u003eLower Lead Gain settings deliver focused classic-rock overdrive, while higher settings introduce additional saturation, compression and sustain.\u003c\/p\u003e\n\u003cp\u003eChannel B works particularly well for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHard-rock rhythm playing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHeavy alternative music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePunk\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSustaining lead sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAggressive power chords\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigher-gain rock tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIndependent Channel Volumes\u003c\/h3\u003e\n\u003cp\u003eEach channel has its own Master Volume control.\u003c\/p\u003e\n\u003cp\u003eThis makes it possible to balance a clean or crunch sound on Channel A against a louder lead sound on Channel B. The amplifier can therefore provide a genuine level increase for solos rather than simply adding more distortion.\u003c\/p\u003e\n\u003cp\u003eThe independent controls are also useful when changing between guitars with different pickup outputs.\u003c\/p\u003e\n\u003ch3\u003eIndependent Reverb Settings\u003c\/h3\u003e\n\u003cp\u003eChannel A and Channel B each have their own Reverb control.\u003c\/p\u003e\n\u003cp\u003eA subtle setting can be used on Channel A to add depth to cleaner sounds, while Channel B can be configured with more ambience for lead playing.\u003c\/p\u003e\n\u003cp\u003eThe reverb can be switched on and off remotely using the supplied footswitch.\u003c\/p\u003e\n\u003ch3\u003eThree Output-Power Settings\u003c\/h3\u003e\n\u003cp\u003eA rear-panel selector lets the Studio 900 operate at 20 watts, 5 watts or less than 1 watt.\u003c\/p\u003e\n\u003ch4\u003e20-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe full-power setting provides maximum headroom, bass authority and projection.\u003c\/p\u003e\n\u003cp\u003eIt is the best choice for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBand rehearsals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive performances\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLarger speaker cabinets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClean tones requiring greater headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLouder studio sessions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e5-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe 5-watt setting reduces the overall output while retaining useful body and projection.\u003c\/p\u003e\n\u003cp\u003eIt works well for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSmaller rehearsals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecording sessions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eControlled practice\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDriving the amplifier at a lower overall level\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eUnder-1-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe lowest setting makes the amplifier significantly more manageable for home practice and close-miked recording.\u003c\/p\u003e\n\u003cp\u003eIt allows the Gain controls to be explored at a lower output than the 20-watt setting, although the final volume will still depend on the efficiency and size of the connected speaker cabinet.\u003c\/p\u003e\n\u003ch3\u003e5881-Powered Valve Performance\u003c\/h3\u003e\n\u003cp\u003eThe Studio 900 uses two ECC83 preamp valves, an ECC83 phase splitter and two 5881 power valves.\u003c\/p\u003e\n\u003cp\u003eThe 5881 output section provides a firm and controlled response with strong note definition. It complements the tighter low end and direct attack associated with the JCM900 sound.\u003c\/p\u003e\n\u003cp\u003eThe amplifier responds naturally to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePicking strength\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGuitar-volume adjustments\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePickup selection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePickup output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain and volume settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSpeaker and cabinet choice\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eShared Marshall Equalisation\u003c\/h3\u003e\n\u003cp\u003eTreble, Middle, Bass and Presence controls shape both channels.\u003c\/p\u003e\n\u003ch4\u003eTreble\u003c\/h4\u003e\n\u003cp\u003eControls upper-frequency brightness and attack. Increasing Treble adds clarity and helps notes cut through a band mix.\u003c\/p\u003e\n\u003ch4\u003eMiddle\u003c\/h4\u003e\n\u003cp\u003eAdjusts the central voice of the guitar. Higher settings create a fuller and more prominent sound, while lower settings provide a more scooped response.\u003c\/p\u003e\n\u003ch4\u003eBass\u003c\/h4\u003e\n\u003cp\u003eControls low-frequency weight and depth. Lower settings can help tighten heavily driven rhythm tones, while higher settings add fullness to clean and crunch sounds.\u003c\/p\u003e\n\u003ch4\u003ePresence\u003c\/h4\u003e\n\u003cp\u003eShapes the upper-frequency response of the power-amplifier section. Increasing Presence adds bite, immediacy and projection.\u003c\/p\u003e\n\u003ch3\u003eAdjustable Effects Loop\u003c\/h3\u003e\n\u003cp\u003eThe SN20H includes effects-loop Send and Return connections with a continuously adjustable level control.\u003c\/p\u003e\n\u003cp\u003eThe loop can be matched to equipment operating between approximately -10dBV and +4dBu.\u003c\/p\u003e\n\u003cp\u003eLower settings are suitable for many conventional floor pedals, while higher settings accommodate compatible rack processors and professional line-level equipment.\u003c\/p\u003e\n\u003cp\u003eThe effects loop is particularly useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDelay\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdditional reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChorus\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhaser\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlanger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTremolo\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMulti-effects processors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRack-mounted effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePlacing these effects after the amplifier’s gain stages can help them remain clearer when Channel B is producing heavier distortion.\u003c\/p\u003e\n\u003ch3\u003eDirect Line Output\u003c\/h3\u003e\n\u003cp\u003eThe Direct output provides an unfiltered preamp signal for connection to compatible external equipment, including a separate power amplifier.\u003c\/p\u003e\n\u003cp\u003eThis provides additional flexibility for more advanced studio and live systems.\u003c\/p\u003e\n\u003cp\u003eA suitable speaker load must remain connected while the amplifier is operating.\u003c\/p\u003e\n\u003ch3\u003eRecording-Compensated Output\u003c\/h3\u003e\n\u003cp\u003eThe recording-compensated line output provides a filtered signal for connection to suitable recording equipment or a PA system.\u003c\/p\u003e\n\u003cp\u003eIt can be useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eCapturing ideas at home\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStudio recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSending an additional signal to a live mixing desk\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCombining direct and microphone signals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe amplifier still requires a correctly connected speaker cabinet or professional load device when this output is used.\u003c\/p\u003e\n\u003ch3\u003eFlexible Speaker Connections\u003c\/h3\u003e\n\u003cp\u003eFive speaker outputs support approved 16-ohm, 8-ohm and 4-ohm cabinet configurations.\u003c\/p\u003e\n\u003cp\u003eThis allows the SN20H to be used with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA compact 1x12 cabinet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA portable 2x12 cabinet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA traditional 4x12 cabinet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo compatible cabinets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDifferent speaker types for recording or live performance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChanging the cabinet can significantly alter the amplifier’s bass response, projection, brightness and overall feel.\u003c\/p\u003e\n\u003ch3\u003eMade in Bletchley, England\u003c\/h3\u003e\n\u003cp\u003eThe Studio 900 is designed, engineered and manufactured at Marshall’s factory in Bletchley, England.\u003c\/p\u003e\n\u003cp\u003eIts compact enclosure retains the traditional black covering, gold control panel and white Marshall script associated with the company’s professional amplifiers.\u003c\/p\u003e\n\u003ch2\u003eWhy Choose a Separate Valve Amplifier Head?\u003c\/h2\u003e\n\u003cp\u003eA separate amplifier head provides greater flexibility than a combo with a permanently installed speaker.\u003c\/p\u003e\n\u003cp\u003ePlayers can select a cabinet based on the requirements of each situation. A 1x12 provides portability for home and studio use, while a 2x12 offers greater sound dispersion and low-frequency depth. A 4x12 delivers the physical projection and stage presence associated with a traditional Marshall stack.\u003c\/p\u003e\n\u003cp\u003eSeparating the amplifier from the cabinet also makes it easier to transport each part individually and allows different speaker combinations to be explored without changing the amplifier.\u003c\/p\u003e\n\u003cp\u003eThe SN20H’s three output settings make this flexibility particularly useful. The same amplifier can form part of a compact recording setup or a larger professional stage rig.\u003c\/p\u003e\n\u003ch2\u003eWho Is It For?\u003c\/h2\u003e\n\u003ch3\u003eRock and Hard-Rock Guitarists\u003c\/h3\u003e\n\u003cp\u003eThe focused bass, cutting attack and prominent midrange make the Studio 900 ideally suited to rhythm crunch and sustaining lead tones.\u003c\/p\u003e\n\u003cp\u003eChannel B provides ample drive for heavier rock sounds without requiring a separate distortion pedal.\u003c\/p\u003e\n\u003ch3\u003ePunk and Alternative Players\u003c\/h3\u003e\n\u003cp\u003eThe amplifier’s immediate response and assertive voice work particularly well for energetic rhythm guitar, aggressive power chords and live performance.\u003c\/p\u003e\n\u003ch3\u003eGigging Musicians\u003c\/h3\u003e\n\u003cp\u003eThe full 20-watt setting provides useful stage output, particularly when paired with an efficient 2x12 or 4x12 cabinet.\u003c\/p\u003e\n\u003cp\u003eThe included footswitch allows Channel A\/B selection and reverb switching during a performance.\u003c\/p\u003e\n\u003ch3\u003eRecording Guitarists\u003c\/h3\u003e\n\u003cp\u003eThree power settings, two independent channels, an adjustable effects loop and dual line outputs make the SN20H highly practical in a recording environment.\u003c\/p\u003e\n\u003cp\u003eDifferent cabinets and microphones can also be used to create several distinct sounds from one amplifier.\u003c\/p\u003e\n\u003ch3\u003eHome Players Seeking Professional Tone\u003c\/h3\u003e\n\u003cp\u003eThe under-1-watt setting makes the Studio 900 more manageable in a domestic environment than a traditional 50-watt or 100-watt JCM900.\u003c\/p\u003e\n\u003cp\u003eIt can still produce considerable volume through an efficient cabinet, but the reduced-power mode provides far greater control.\u003c\/p\u003e\n\u003ch3\u003ePedal Users\u003c\/h3\u003e\n\u003cp\u003eChannel A provides a strong foundation for boosts, overdrives, distortion pedals, fuzz and compression.\u003c\/p\u003e\n\u003cp\u003eDelay, reverb and modulation effects can be connected through the adjustable effects loop when greater clarity is required.\u003c\/p\u003e\n\u003ch3\u003ePlayers Who Use Multiple Cabinets\u003c\/h3\u003e\n\u003cp\u003eThe separate-head design and extensive speaker connections make the SN20H an excellent choice for players who already own compatible cabinets or want to build a modular amplifier rig.\u003c\/p\u003e\n\u003ch2\u003eCondition Overview\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eEx-Display\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis amplifier has been displayed in the Fair Deal Music showroom and is offered at a reduced price rather than as factory-sealed stock.\u003c\/p\u003e\n\u003cp\u003eIt has been inspected and tested by the Fair Deal Music team to confirm correct operation. Please examine the product photographs for the exact cosmetic presentation of this individual amplifier.\u003c\/p\u003e\n\u003ch2\u003eWhat’s Included?\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMarshall SN20H Studio 900 amplifier head\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMarshall two-button footswitch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDetachable mains power cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExternal speaker cabinet and speaker cable are not included.\u003c\/p\u003e\n\u003ch2\u003eCondition Notes\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEx-display example\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreviously displayed in the Fair Deal Music showroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInspected and tested for correct operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProduct photographs show the exact cosmetic condition\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFair Deal Quality Control Assessment\u003c\/h2\u003e\n\u003cp\u003eThe amplifier has been checked by the Fair Deal Music team before sale.\u003c\/p\u003e\n\u003cp\u003eOur assessment includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eChannel A operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel B operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFront-panel channel selection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFootswitch channel selection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel A Gain control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel B Lead Gain control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent Master Volume controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent Reverb controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFootswitchable reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTreble, Middle, Bass and Presence controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e20-watt mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e5-watt mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUnder-1-watt mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEffects-loop Send and Return\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEffects-loop level adjustment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDirect line output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecording-compensated line output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSpeaker output connections\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower and standby operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eValve operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChecks for unwanted noise or intermittent controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eUnderstanding the Studio 900 Sound\u003c\/h2\u003e\n\u003ch3\u003eChannel A Clean\u003c\/h3\u003e\n\u003cp\u003eSet the Channel A Gain low and raise its Master Volume for a bright and articulate clean sound.\u003c\/p\u003e\n\u003cp\u003eThis configuration works well with single-coil pickups, modulation effects and pedal-based rigs.\u003c\/p\u003e\n\u003ch3\u003eChannel A Crunch\u003c\/h3\u003e\n\u003cp\u003eIncreasing the Channel A Gain introduces progressively more drive and compression.\u003c\/p\u003e\n\u003cp\u003eThe resulting sound is ideal for blues, indie, punk and classic-rock rhythm playing.\u003c\/p\u003e\n\u003ch3\u003eChannel B Classic Lead\u003c\/h3\u003e\n\u003cp\u003eLower Channel B Lead Gain settings provide focused rock overdrive with clear note definition.\u003c\/p\u003e\n\u003cp\u003eThis works well for power-chord rhythm playing and expressive lead tones.\u003c\/p\u003e\n\u003ch3\u003eChannel B High Gain\u003c\/h3\u003e\n\u003cp\u003eHigher Lead Gain settings introduce additional distortion, compression and sustain.\u003c\/p\u003e\n\u003cp\u003eBalancing the Bass and Presence controls can create a tight, defined response for heavier rhythm playing.\u003c\/p\u003e\n\u003ch3\u003eLower-Volume Driven Sounds\u003c\/h3\u003e\n\u003cp\u003eSelecting the 5-watt or under-1-watt setting allows the channel Gain controls to be increased at a lower overall output than the full 20-watt mode.\u003c\/p\u003e\n\u003ch3\u003ePedal-Platform Setup\u003c\/h3\u003e\n\u003cp\u003eUse Channel A with reduced Gain and greater Master Volume for a clearer base tone.\u003c\/p\u003e\n\u003cp\u003eBoost, overdrive, distortion and fuzz pedals can then provide additional gain from the front of the amplifier.\u003c\/p\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eMarshall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eSN20H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRange\u003c\/td\u003e\n\u003ctd\u003eStudio 900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmplifier Technology\u003c\/td\u003e\n\u003ctd\u003eValve amplification with JCM900-inspired hybrid circuitry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Power\u003c\/td\u003e\n\u003ctd\u003e20 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReduced-Power Settings\u003c\/td\u003e\n\u003ctd\u003e5 watts and under 1 watt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels\u003c\/td\u003e\n\u003ctd\u003eTwo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel A Controls\u003c\/td\u003e\n\u003ctd\u003eGain, Master Volume and Reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel B Controls\u003c\/td\u003e\n\u003ctd\u003eLead Gain, Master Volume and Reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShared Equalisation\u003c\/td\u003e\n\u003ctd\u003eTreble, Middle and Bass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower-Amp Tone Control\u003c\/td\u003e\n\u003ctd\u003ePresence\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel Selection\u003c\/td\u003e\n\u003ctd\u003eFront-panel switch or supplied footswitch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb\u003c\/td\u003e\n\u003ctd\u003eBuilt-in with independent channel settings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb Switching\u003c\/td\u003e\n\u003ctd\u003eSupplied footswitch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePreamp Valves\u003c\/td\u003e\n\u003ctd\u003eTwo ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase Splitter\u003c\/td\u003e\n\u003ctd\u003eOne ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Valves\u003c\/td\u003e\n\u003ctd\u003eTwo 5881\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects Loop\u003c\/td\u003e\n\u003ctd\u003eSend and Return with level control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects-Loop Level\u003c\/td\u003e\n\u003ctd\u003eAdjustable from approximately -10dBV to +4dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDirect Output\u003c\/td\u003e\n\u003ctd\u003eUnfiltered preamp line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording Output\u003c\/td\u003e\n\u003ctd\u003eCompensated line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Outputs\u003c\/td\u003e\n\u003ctd\u003eFive 1\/4-inch jack sockets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Speaker Loads\u003c\/td\u003e\n\u003ctd\u003e16Ω, 8Ω and 4Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003eApproximately 510mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeight\u003c\/td\u003e\n\u003ctd\u003eApproximately 245mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDepth\u003c\/td\u003e\n\u003ctd\u003eApproximately 240mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApproximately 11.2kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eBlack with gold control panel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n\u003ctd\u003eUnited Kingdom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003ePower and Speaker Requirements\u003c\/h2\u003e\n\u003cp\u003eThe Marshall SN20H requires a suitable mains electricity connection and a compatible external guitar speaker cabinet.\u003c\/p\u003e\n\u003cp\u003eThe amplifier must never be powered on without a correctly connected speaker cabinet or suitable professional load device.\u003c\/p\u003e\n\u003cp\u003eApproved cabinet configurations include:\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eCabinet Configuration\u003c\/th\u003e\n\u003cth\u003eSpeaker Output\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 16Ω cabinet\u003c\/td\u003e\n\u003ctd\u003e1x16Ω output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 8Ω cabinet\u003c\/td\u003e\n\u003ctd\u003eOne 1x8Ω output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTwo 16Ω cabinets\u003c\/td\u003e\n\u003ctd\u003eBoth 2x16Ω outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 4Ω cabinet\u003c\/td\u003e\n\u003ctd\u003eOne 1x4Ω output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTwo 8Ω cabinets\u003c\/td\u003e\n\u003ctd\u003eBoth 2x8Ω outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eAlways use a dedicated speaker cable between the amplifier and cabinet. A screened guitar instrument cable is not suitable for this connection.\u003c\/p\u003e\n\u003cp\u003eThe connected cabinet must have sufficient power handling for the amplifier.\u003c\/p\u003e\n\u003ch2\u003eWhich Speaker Cabinet Should You Choose?\u003c\/h2\u003e\n\u003ch3\u003eCompact 1x12 Cabinet\u003c\/h3\u003e\n\u003cp\u003eA compatible 1x12 creates the most portable Studio 900 rig.\u003c\/p\u003e\n\u003cp\u003eIt is ideal for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHome practice\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStudio recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSmaller stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMusicians who regularly transport their equipment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e2x12 Cabinet\u003c\/h3\u003e\n\u003cp\u003eA 2x12 provides greater sound dispersion, bass response and stage projection while remaining easier to move than a traditional 4x12.\u003c\/p\u003e\n\u003cp\u003eIt is an excellent all-round pairing for rehearsals and live performances.\u003c\/p\u003e\n\u003ch3\u003e4x12 Cabinet\u003c\/h3\u003e\n\u003cp\u003eA 4x12 delivers the strongest physical projection and the traditional feel of a Marshall stack.\u003c\/p\u003e\n\u003cp\u003eIt is particularly well suited to larger stages, professional studios and players seeking maximum authority from the 20-watt output.\u003c\/p\u003e\n\u003ch3\u003eSpeaker Choice\u003c\/h3\u003e\n\u003cp\u003eA Celestion G12T-75-style cabinet will emphasise tight bass and cutting upper frequencies.\u003c\/p\u003e\n\u003cp\u003eA more vintage-voiced speaker can add warmer midrange, earlier compression and a softer high-frequency response.\u003c\/p\u003e\n\u003ch2\u003eComparison With Other Marshall Studio Heads\u003c\/h2\u003e\n\u003ch3\u003eMarshall SN20H Studio 900\u003c\/h3\u003e\n\u003cp\u003eThe SN20H provides two channels, independent channel volumes, separate reverb controls and a focused JCM900-inspired sound.\u003c\/p\u003e\n\u003cp\u003eIt is the strongest choice for players who need clean, crunch and lead sounds from one compact head.\u003c\/p\u003e\n\u003ch3\u003eMarshall SC20H Studio Classic\u003c\/h3\u003e\n\u003cp\u003eThe SC20H is inspired by the single-channel JCM800 2203.\u003c\/p\u003e\n\u003cp\u003eIt offers a more straightforward Master Volume design and raw, aggressive crunch, while the SN20H provides channel switching, greater tonal variety and built-in reverb.\u003c\/p\u003e\n\u003ch3\u003eMarshall SV20H Studio Vintage\u003c\/h3\u003e\n\u003cp\u003eThe SV20H is based on the earlier 1959 Super Lead format.\u003c\/p\u003e\n\u003cp\u003eIt provides an open and highly dynamic Plexi-style response with bridgeable channels. The Studio 900 offers easier channel switching, separate gain structures and more readily available lead saturation.\u003c\/p\u003e\n\u003ch3\u003eMarshall ST20H Studio JTM\u003c\/h3\u003e\n\u003cp\u003eThe ST20H delivers a softer attack, fuller bass and earlier vintage-style breakup.\u003c\/p\u003e\n\u003cp\u003eThe SN20H has a tighter and brighter response that is better suited to aggressive rock and higher-gain playing.\u003c\/p\u003e\n\u003ch3\u003eMarshall DSL20HR\u003c\/h3\u003e\n\u003cp\u003eThe DSL20HR provides modern Marshall versatility with Classic Gain and Ultra Gain channels.\u003c\/p\u003e\n\u003cp\u003eThe SN20H is aimed at players seeking the more focused character, control layout and heritage of the JCM900 platform.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eDoes the Marshall SN20H include a speaker?\u003c\/h3\u003e\n\u003cp\u003eThe SN20H is an amplifier head and must be connected to a suitable external guitar speaker cabinet.\u003c\/p\u003e\n\u003ch3\u003eDoes it have two channels?\u003c\/h3\u003e\n\u003cp\u003eYes. Channel A covers clean to medium-drive sounds, while Channel B provides classic lead tones and greater gain and sustain.\u003c\/p\u003e\n\u003ch3\u003eCan the channels be changed with a footswitch?\u003c\/h3\u003e\n\u003cp\u003eYes. The supplied two-button footswitch controls Channel A\/B selection and switches the reverb on or off.\u003c\/p\u003e\n\u003ch3\u003eDoes each channel have its own reverb setting?\u003c\/h3\u003e\n\u003cp\u003eYes. Channel A and Channel B each have a dedicated Reverb control.\u003c\/p\u003e\n\u003ch3\u003eDoes it have an effects loop?\u003c\/h3\u003e\n\u003cp\u003eYes. The Send and Return connections are accompanied by an adjustable level control suitable for compatible pedals and rack processors.\u003c\/p\u003e\n\u003ch3\u003eCan it be connected directly to recording equipment?\u003c\/h3\u003e\n\u003cp\u003eThe recording-compensated output can be connected to compatible recording equipment or a PA system.\u003c\/p\u003e\n\u003cp\u003eA suitable speaker cabinet or professional load device must remain connected while the amplifier is operating.\u003c\/p\u003e\n\u003ch3\u003eCan two cabinets be connected?\u003c\/h3\u003e\n\u003cp\u003eYes. The SN20H supports approved dual-cabinet configurations using two 16-ohm cabinets or two 8-ohm cabinets.\u003c\/p\u003e\n\u003cp\u003eThe correct paired outputs must be used.\u003c\/p\u003e\n\u003ch3\u003eIs it suitable for home playing?\u003c\/h3\u003e\n\u003cp\u003eThe amplifier includes 5-watt and under-1-watt settings for more controlled output.\u003c\/p\u003e\n\u003cp\u003eThe final volume will depend on the connected cabinet and speaker efficiency.\u003c\/p\u003e\n\u003ch3\u003eIs the Studio 900 made in the UK?\u003c\/h3\u003e\n\u003cp\u003eYes. It is designed, engineered and manufactured at Marshall’s factory in Bletchley, England.\u003c\/p\u003e\n\u003ch3\u003eIs the Studio 900 completely valve-driven?\u003c\/h3\u003e\n\u003cp\u003eThe amplifier uses ECC83 preamp and phase-splitter valves with two 5881 power valves. Its JCM900-inspired architecture also incorporates solid-state components alongside its valve amplification stages.\u003c\/p\u003e\n\u003ch2\u003eFair Deal Music Verdict\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e★★★★★ 5\/5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Marshall SN20H Studio 900 successfully brings the versatility and focused aggression of the JCM900 into a compact format that is far easier to use in modern playing environments.\u003c\/p\u003e\n\u003cp\u003eIts two channels cover bright cleans, muscular crunch and sustaining lead sounds, while the independent volumes and reverb settings make it practical for live performance. Three output levels, an adjustable effects loop and two line-output options add valuable recording and pedalboard flexibility.\u003c\/p\u003e\n\u003cp\u003eThe separate-head design also lets players choose exactly how compact or powerful the completed rig should be.\u003c\/p\u003e\n\u003cp\u003eOffered in professionally checked Ex-Display condition, this is an excellent opportunity to own a versatile British-made Marshall amplifier at a reduced price.\u003c\/p\u003e\n\u003ch2\u003eWhy Buy From Fair Deal Music?\u003c\/h2\u003e\n\u003cp\u003eChoosing Fair Deal Music means buying from a passionate team of musicians who genuinely understand the products we sell. Whether you’re purchasing your first instrument, upgrading your current setup or searching for something special, we’re here to help you make the right choice with friendly advice and expert support.\u003c\/p\u003e\n\u003cp\u003eWhen you shop with Fair Deal Music, you can buy with confidence thanks to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eExpert advice from knowledgeable musicians\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCarefully checked new, used, pre-owned and ex-display equipment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompetitive prices on leading music brands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSecure UK-wide delivery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlexible finance options available, subject to status\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFriendly support before and after your purchase\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA trusted independent UK music retailer with decades of experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrade In. Trade Up. Save More.\u003c\/h3\u003e\n\u003cp\u003eThinking about upgrading? Your next piece of gear could cost less than you think. We’re always happy to consider part exchanges and trade-ins on a wide range of musical instruments and equipment. Whether you’re looking to trade a guitar, amplifier, keyboard, drum kit, pedal or studio equipment, our team can provide a fair, no-obligation valuation and help make your next upgrade more affordable.\u003c\/p\u003e\n\u003cp\u003eContact our team or visit the Fair Deal Music Birmingham showroom to discuss your equipment and discover how much you could save.\u003c\/p\u003e","brand":"Marshall","offers":[{"title":"Default Title","offer_id":55633455120764,"sku":"EX-SN20H","price":989.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/01-marshall-studio-900-head.jpg?v=1737031610"},{"product_id":"marshall-sn20c-jcm900-20w-1x12-combo-ex-display","title":"Marshall SN20C JCM900 20W 1x12 Combo, (Ex-Display)","description":"\u003cp\u003eThe Marshall SN20C Studio 900 captures the powerful crunch, precise attack and distinctive tonal character of the legendary JCM900 in a more compact and manageable 20-watt combo.\u003c\/p\u003e\n\u003cp\u003eIts two-channel design delivers everything from clear cleans and responsive crunch to saturated lead tones, with independent Gain, Volume and Reverb controls for each channel. Shared Treble, Middle, Bass and Presence controls provide straightforward tone shaping, while the supplied footswitch allows effortless channel changes and reverb switching during a performance.\u003c\/p\u003e\n\u003cp\u003eSwitchable 20-watt, 5-watt and under-1-watt settings make the SN20C suitable for live performances, rehearsals, recording and controlled home practice. A 12-inch Celestion G12T-75 speaker delivers tight bass, clear attack and the cutting upper-frequency response associated with classic Marshall rock tones.\u003c\/p\u003e\n\u003cp\u003eThis Ex-Display amplifier has been professionally checked by Fair Deal Music and offers the full performance of the Studio 900 at a reduced price.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5I10kQUCbi8?si=vATncnOEweOWOVdk\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eAt A Glance\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eFeature\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eMarshall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eSN20C Studio 900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInspired By\u003c\/td\u003e\n\u003ctd\u003eMarshall JCM900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduct Type\u003c\/td\u003e\n\u003ctd\u003eValve guitar combo amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eEx-Display\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Power\u003c\/td\u003e\n\u003ctd\u003e20 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReduced-Power Modes\u003c\/td\u003e\n\u003ctd\u003e5 watts and under 1 watt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels\u003c\/td\u003e\n\u003ctd\u003eTwo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel A\u003c\/td\u003e\n\u003ctd\u003eClean to medium drive and crunch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel B\u003c\/td\u003e\n\u003ctd\u003eClassic lead to higher-gain sustain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker\u003c\/td\u003e\n\u003ctd\u003e12-inch Celestion G12T-75\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Rating\u003c\/td\u003e\n\u003ctd\u003e75 watts at 16 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb\u003c\/td\u003e\n\u003ctd\u003eIntegrated spring reverb with independent channel controls\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects Loop\u003c\/td\u003e\n\u003ctd\u003eYes, with adjustable level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Outputs\u003c\/td\u003e\n\u003ctd\u003eDirect and recording-compensated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFootswitch\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Valves\u003c\/td\u003e\n\u003ctd\u003eTwo 5881\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n\u003ctd\u003eUnited Kingdom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMain Appeal\u003c\/td\u003e\n\u003ctd\u003eJCM900-inspired tone in a portable, power-switchable combo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBest For\u003c\/td\u003e\n\u003ctd\u003eRock, hard rock, punk, alternative music, recording and gigging\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSkill Level\u003c\/td\u003e\n\u003ctd\u003eIntermediate to professional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhy Choose the Marshall SN20C Studio 900?\u003c\/h2\u003e\n\u003ch3\u003eClassic JCM900-Inspired Character\u003c\/h3\u003e\n\u003cp\u003eThe Studio 900 is inspired by the distinctive sound and versatility of Marshall’s two-channel JCM900 amplifiers.\u003c\/p\u003e\n\u003cp\u003eIt delivers the tightly controlled bass, assertive midrange and biting upper-frequency response that allows guitar parts to remain clear and prominent within a full band mix.\u003c\/p\u003e\n\u003cp\u003eThe SN20C can move from sparkling cleans and responsive crunch to compressed, sustaining lead tones without requiring a collection of external gain pedals.\u003c\/p\u003e\n\u003ch3\u003eTwo Versatile Channels\u003c\/h3\u003e\n\u003cp\u003eThe amplifier features two channels with separate Gain, Volume and Reverb controls.\u003c\/p\u003e\n\u003cp\u003eThis allows each channel to be configured for a different sound and selected instantly using the front-panel switch or supplied footswitch.\u003c\/p\u003e\n\u003ch4\u003eChannel A\u003c\/h4\u003e\n\u003cp\u003eChannel A covers the cleaner and lower-gain side of the amplifier.\u003c\/p\u003e\n\u003cp\u003eLower Gain settings produce bright and articulate clean sounds. Increasing the control introduces medium drive and muscular British crunch.\u003c\/p\u003e\n\u003cp\u003eChannel A is ideal for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eClean rhythm playing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlues\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndie and alternative music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClassic-rock crunch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEdge-of-breakup tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePedal-based guitar rigs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eChannel B\u003c\/h4\u003e\n\u003cp\u003eChannel B delivers the amplifier’s higher-gain lead voice.\u003c\/p\u003e\n\u003cp\u003eLower Lead Gain settings provide focused classic-rock overdrive, while higher settings add compression, saturation and sustain.\u003c\/p\u003e\n\u003cp\u003eChannel B is particularly effective for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHard-rock rhythm playing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePunk\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHeavy alternative music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSustaining lead tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAggressive power chords\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigher-gain rock sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThree Power Settings\u003c\/h3\u003e\n\u003cp\u003eA rear-panel power selector allows the amplifier to operate at 20 watts, 5 watts or less than 1 watt.\u003c\/p\u003e\n\u003ch4\u003e20-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe full 20-watt setting provides maximum headroom, low-frequency authority and projection.\u003c\/p\u003e\n\u003cp\u003eIt is suitable for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBand rehearsals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive performances\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLouder studio sessions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClean tones with greater headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUse with external speaker cabinets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e5-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe 5-watt setting reduces the output while retaining useful body and projection.\u003c\/p\u003e\n\u003cp\u003eIt is a strong choice for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSmaller rehearsals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStudio recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eControlled practice\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDriving the amplifier at a lower level\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eUnder-1-Watt Mode\u003c\/h4\u003e\n\u003cp\u003eThe lowest-power setting makes the SN20C considerably more manageable for home use and close-miked recording.\u003c\/p\u003e\n\u003cp\u003eIt allows the channel gain controls to be explored at a lower output level while retaining the character of the amplifier’s main signal path.\u003c\/p\u003e\n\u003ch3\u003eCelestion G12T-75 Speaker\u003c\/h3\u003e\n\u003cp\u003eThe SN20C is fitted with a 12-inch Celestion G12T-75 speaker rated at 75 watts and 16 ohms.\u003c\/p\u003e\n\u003cp\u003eThe G12T-75 is known for its controlled low frequencies, clear attack and defined upper-frequency response. This voicing complements the focused and aggressive character of the Studio 900.\u003c\/p\u003e\n\u003cp\u003eIt provides:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTight bass response\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClear palm-muted notes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStrong projection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDefined high-gain rhythm sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCutting lead presence\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAmple power handling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe single-speaker configuration keeps the combo portable while retaining the depth and projection expected from a full-sized 12-inch guitar speaker.\u003c\/p\u003e\n\u003ch3\u003eIndependent Reverb Controls\u003c\/h3\u003e\n\u003cp\u003eEach channel has its own Reverb control.\u003c\/p\u003e\n\u003cp\u003eThis allows different ambience settings to be prepared for clean, rhythm and lead sounds. Channel A can be configured with subtle depth, while Channel B can use a more spacious reverb setting for lead playing.\u003c\/p\u003e\n\u003cp\u003eThe supplied footswitch can switch the reverb effect on or off remotely.\u003c\/p\u003e\n\u003ch3\u003eShared Marshall Equalisation\u003c\/h3\u003e\n\u003cp\u003eTreble, Middle and Bass controls shape the preamp response of both channels, while Presence adjusts the upper frequencies of the power-amplifier section.\u003c\/p\u003e\n\u003ch4\u003eTreble\u003c\/h4\u003e\n\u003cp\u003eControls upper-frequency clarity and attack. Higher settings produce a brighter and more cutting sound.\u003c\/p\u003e\n\u003ch4\u003eMiddle\u003c\/h4\u003e\n\u003cp\u003eShapes the central voice of the guitar. Higher settings add fullness and projection, while lower settings produce a more scooped response.\u003c\/p\u003e\n\u003ch4\u003eBass\u003c\/h4\u003e\n\u003cp\u003eControls low-frequency weight and depth. Reducing Bass can tighten high-gain rhythm sounds, while increasing it adds fullness to cleans and crunch tones.\u003c\/p\u003e\n\u003ch4\u003ePresence\u003c\/h4\u003e\n\u003cp\u003eAdjusts bite and immediacy within the power-amplifier response. It is useful for balancing the amplifier for different rooms, speakers and band arrangements.\u003c\/p\u003e\n\u003ch3\u003eAdjustable Effects Loop\u003c\/h3\u003e\n\u003cp\u003eThe Studio 900 includes an effects loop with Send, Return and adjustable level controls.\u003c\/p\u003e\n\u003cp\u003eThe loop level can be set between approximately -10dBV and +4dBu, allowing the amplifier to accommodate conventional floor pedals and professional rack equipment.\u003c\/p\u003e\n\u003cp\u003eIt provides an effective connection point for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDelay\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdditional reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChorus\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhaser\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlanger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTremolo\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMulti-effects processors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRack-mounted effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePlacing time-based and modulation effects after the amplifier’s gain stages can help them remain clear when Channel B is producing heavier distortion.\u003c\/p\u003e\n\u003ch3\u003eDirect and Recording Outputs\u003c\/h3\u003e\n\u003cp\u003eThe rear panel provides two line-output options.\u003c\/p\u003e\n\u003ch4\u003eDirect Line Output\u003c\/h4\u003e\n\u003cp\u003eThe Direct output supplies an unfiltered preamp signal for connection to compatible external equipment.\u003c\/p\u003e\n\u003ch4\u003eRecording-Compensated Output\u003c\/h4\u003e\n\u003cp\u003eThe compensated output applies filtering designed for connection to suitable recording equipment or a PA system.\u003c\/p\u003e\n\u003cp\u003eThese outputs add flexibility for studio recording, live reinforcement and more advanced amplifier systems.\u003c\/p\u003e\n\u003cp\u003eA suitable speaker load must remain connected whenever the amplifier is operating.\u003c\/p\u003e\n\u003ch3\u003eExternal Speaker Connections\u003c\/h3\u003e\n\u003cp\u003eFive speaker-output sockets support approved 16-ohm, 8-ohm and 4-ohm configurations.\u003c\/p\u003e\n\u003cp\u003eThis allows the internal Celestion speaker to be supplemented or the amplifier to be connected to a compatible external cabinet.\u003c\/p\u003e\n\u003cp\u003ePairing the SN20C with an additional cabinet can provide:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eGreater sound dispersion\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIncreased stage projection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA broader speaker response\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdditional low-frequency authority\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA different overall tonal character\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBuilt in Bletchley, England\u003c\/h3\u003e\n\u003cp\u003eThe SN20C is designed, engineered and manufactured at Marshall’s factory in Bletchley, England.\u003c\/p\u003e\n\u003cp\u003eIt combines classic Marshall styling and JCM900-inspired sounds with the portability and power control of the modern Studio range.\u003c\/p\u003e\n\u003ch2\u003eWhy Choose a 20W 1x12 Valve Combo?\u003c\/h2\u003e\n\u003cp\u003eA 20-watt valve combo provides a practical balance between professional sound, useful stage output and manageable dimensions.\u003c\/p\u003e\n\u003cp\u003eThe amplifier and speaker are contained within one enclosure, reducing the amount of equipment that needs to be transported and connected.\u003c\/p\u003e\n\u003cp\u003eThe SN20C’s three power modes make it particularly versatile. It can provide the projection needed for rehearsals and performances at 20 watts, while the reduced settings make it easier to use in studios and home environments.\u003c\/p\u003e\n\u003cp\u003eIts 1x12 configuration delivers greater depth and projection than a small practice amplifier without the size and weight of a 2x12 or 4x12 system.\u003c\/p\u003e\n\u003ch2\u003eWho Is It For?\u003c\/h2\u003e\n\u003ch3\u003eRock and Hard-Rock Guitarists\u003c\/h3\u003e\n\u003cp\u003eThe focused low end, prominent midrange and cutting attack make the Studio 900 ideal for classic and modern rock.\u003c\/p\u003e\n\u003cp\u003eChannel B supplies the additional saturation and sustain required for heavy rhythm sounds and expressive solos.\u003c\/p\u003e\n\u003ch3\u003ePunk and Alternative Players\u003c\/h3\u003e\n\u003cp\u003eThe amplifier’s immediate response and assertive voice are particularly well suited to energetic rhythm playing, power chords and aggressive live performances.\u003c\/p\u003e\n\u003ch3\u003eGigging Musicians\u003c\/h3\u003e\n\u003cp\u003eThe full 20-watt mode provides useful stage projection, while the compact combo enclosure is easier to transport than a full-sized JCM900 head and cabinet.\u003c\/p\u003e\n\u003cp\u003eThe supplied footswitch provides convenient control over channel selection and reverb.\u003c\/p\u003e\n\u003ch3\u003eRecording Guitarists\u003c\/h3\u003e\n\u003cp\u003eThree output-power settings, two channels, an adjustable effects loop and recording outputs make the SN20C highly practical in a studio.\u003c\/p\u003e\n\u003cp\u003eIt can provide multiple clean, crunch and lead sounds without changing amplifiers between takes.\u003c\/p\u003e\n\u003ch3\u003eHome Players Seeking Professional Tone\u003c\/h3\u003e\n\u003cp\u003eThe under-1-watt mode gives players access to genuine Studio 900 character at a more controlled level.\u003c\/p\u003e\n\u003cp\u003eThe amplifier can still produce substantial volume through its efficient 12-inch speaker, but the power reduction makes it significantly more manageable than a traditional 50-watt or 100-watt JCM900.\u003c\/p\u003e\n\u003ch3\u003ePedal Users\u003c\/h3\u003e\n\u003cp\u003eChannel A provides a strong platform for boosts, overdrives, distortion pedals and fuzz effects.\u003c\/p\u003e\n\u003cp\u003eDelay, reverb and modulation effects can be connected through the adjustable effects loop for improved clarity when using amplifier distortion.\u003c\/p\u003e\n\u003ch2\u003eCondition Overview\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eEx-Display\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis amplifier has been displayed in our showroom and is offered at a reduced price rather than as factory-sealed stock.\u003c\/p\u003e\n\u003cp\u003eIt has been professionally inspected and tested by the Fair Deal Music team to confirm correct operation. Please examine the product photographs for the exact cosmetic presentation of this individual amplifier.\u003c\/p\u003e\n\u003ch2\u003eWhat’s Included?\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMarshall SN20C Studio 900 1x12 combo amplifier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMarshall two-button footswitch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDetachable mains power cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eCondition Notes\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEx-display example\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDisplayed in the Fair Deal Music showroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProfessionally checked for correct operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProduct photographs show the exact cosmetic condition\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFair Deal Quality Control Assessment\u003c\/h2\u003e\n\u003cp\u003eOur team has inspected and tested this amplifier before sale.\u003c\/p\u003e\n\u003cp\u003eThe assessment includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eChannel A operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel B operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFront-panel channel switching\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFootswitch channel switching\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain and Lead Gain controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent channel Volume controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent channel Reverb controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFootswitchable reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTreble, Middle, Bass and Presence controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e20-watt, 5-watt and under-1-watt modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEffects-loop Send and Return\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEffects-loop level adjustment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDirect line output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecording-compensated output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInternal Celestion speaker\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExternal speaker connections\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower and standby functions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eValve operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChecks for unwanted noise and intermittent controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eUnderstanding the Studio 900 Sound\u003c\/h2\u003e\n\u003ch3\u003eClean Channel A\u003c\/h3\u003e\n\u003cp\u003eUse a low Channel A Gain setting and increase the Volume control for a clear, articulate clean sound.\u003c\/p\u003e\n\u003cp\u003eThis setting works particularly well with single-coil pickups, modulation effects and pedal-based rigs.\u003c\/p\u003e\n\u003ch3\u003eChannel A Crunch\u003c\/h3\u003e\n\u003cp\u003eIncreasing the Channel A Gain introduces progressively more drive and compression.\u003c\/p\u003e\n\u003cp\u003eThe result is a responsive rhythm sound suited to blues, indie, punk and classic rock.\u003c\/p\u003e\n\u003ch3\u003eClassic Channel B Lead\u003c\/h3\u003e\n\u003cp\u003eLower Channel B Lead Gain settings provide focused overdrive with clear note definition.\u003c\/p\u003e\n\u003cp\u003eThis sound works well for classic-rock leads, power-chord rhythm playing and guitars fitted with either humbuckers or single-coil pickups.\u003c\/p\u003e\n\u003ch3\u003eSaturated Channel B\u003c\/h3\u003e\n\u003cp\u003eHigher Lead Gain settings introduce additional compression, distortion and sustain.\u003c\/p\u003e\n\u003cp\u003eCarefully balancing the Bass and Presence controls can produce a tight and highly defined response for heavier rhythm playing.\u003c\/p\u003e\n\u003ch3\u003eLower-Volume Driven Sounds\u003c\/h3\u003e\n\u003cp\u003eSelecting the 5-watt or under-1-watt mode allows the channel Gain controls to be increased at a lower overall output than the full 20-watt setting.\u003c\/p\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eMarshall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eSN20C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRange\u003c\/td\u003e\n\u003ctd\u003eStudio 900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmplifier Technology\u003c\/td\u003e\n\u003ctd\u003eValve amplification with hybrid JCM900-inspired circuitry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Power\u003c\/td\u003e\n\u003ctd\u003e20 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReduced-Power Settings\u003c\/td\u003e\n\u003ctd\u003e5 watts and under 1 watt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels\u003c\/td\u003e\n\u003ctd\u003eTwo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel A Controls\u003c\/td\u003e\n\u003ctd\u003eGain, Volume and Reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel B Controls\u003c\/td\u003e\n\u003ctd\u003eLead Gain, Volume and Reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShared Equalisation\u003c\/td\u003e\n\u003ctd\u003eTreble, Middle and Bass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower-Amp Tone Control\u003c\/td\u003e\n\u003ctd\u003ePresence\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel Switching\u003c\/td\u003e\n\u003ctd\u003eFront-panel switch or supplied footswitch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb\u003c\/td\u003e\n\u003ctd\u003eIntegrated spring reverb with independent channel controls\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReverb Switching\u003c\/td\u003e\n\u003ctd\u003eSupplied footswitch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePreamp Valves\u003c\/td\u003e\n\u003ctd\u003eTwo ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase Splitter Valve\u003c\/td\u003e\n\u003ctd\u003eOne ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Valves\u003c\/td\u003e\n\u003ctd\u003eTwo 5881\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Configuration\u003c\/td\u003e\n\u003ctd\u003e1x12-inch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Model\u003c\/td\u003e\n\u003ctd\u003eCelestion G12T-75\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Impedance\u003c\/td\u003e\n\u003ctd\u003e16 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Power Handling\u003c\/td\u003e\n\u003ctd\u003e75 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects Loop\u003c\/td\u003e\n\u003ctd\u003eSend and Return with level control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEffects-Loop Level\u003c\/td\u003e\n\u003ctd\u003eAdjustable from -10dBV to +4dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDirect Output\u003c\/td\u003e\n\u003ctd\u003eUnfiltered preamp line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording Output\u003c\/td\u003e\n\u003ctd\u003eCompensated line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpeaker Outputs\u003c\/td\u003e\n\u003ctd\u003eFive 1\/4-inch jack sockets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Speaker Loads\u003c\/td\u003e\n\u003ctd\u003e16Ω, 8Ω and 4Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003eApproximately 510mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeight\u003c\/td\u003e\n\u003ctd\u003eApproximately 460mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDepth\u003c\/td\u003e\n\u003ctd\u003eApproximately 255mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApproximately 17.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eBlack with gold control panel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n\u003ctd\u003eUnited Kingdom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003ePower and Speaker Requirements\u003c\/h2\u003e\n\u003cp\u003eThe SN20C requires a suitable mains electricity connection.\u003c\/p\u003e\n\u003cp\u003eIts internal Celestion speaker operates as a 16-ohm load. The amplifier also supports approved external speaker configurations through its dedicated rear-panel outputs.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpeaker Configuration\u003c\/th\u003e\n\u003cth\u003eRequired Output\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 16Ω speaker or cabinet\u003c\/td\u003e\n\u003ctd\u003e1x16Ω output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 8Ω cabinet\u003c\/td\u003e\n\u003ctd\u003eOne 1x8Ω output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTwo 16Ω cabinets\u003c\/td\u003e\n\u003ctd\u003eBoth 2x16Ω outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOne 4Ω cabinet\u003c\/td\u003e\n\u003ctd\u003eOne 1x4Ω output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTwo 8Ω cabinets\u003c\/td\u003e\n\u003ctd\u003eBoth 2x8Ω outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe amplifier must never be operated without a suitable speaker load.\u003c\/p\u003e\n\u003cp\u003eAlways use a dedicated speaker cable when connecting an external cabinet. A screened guitar instrument cable is not suitable for this purpose.\u003c\/p\u003e\n\u003ch2\u003eComparison With Other Marshall Studio Amplifiers\u003c\/h2\u003e\n\u003ch3\u003eMarshall SN20C Studio 900\u003c\/h3\u003e\n\u003cp\u003eThe Studio 900 provides two channels, separate channel Gain and Volume controls, individual Reverb settings and a focused JCM900-inspired sound.\u003c\/p\u003e\n\u003cp\u003eIt is the strongest option for players who want clean, crunch and lead tones available from one compact amplifier.\u003c\/p\u003e\n\u003ch3\u003eMarshall SC20C Studio Classic\u003c\/h3\u003e\n\u003cp\u003eThe Studio Classic is inspired by the single-channel JCM800 2203.\u003c\/p\u003e\n\u003cp\u003eIt has a more straightforward signal path and raw Master Volume response, while the Studio 900 offers greater channel-switching versatility, reverb and additional gain options.\u003c\/p\u003e\n\u003ch3\u003eMarshall SV20C Studio Vintage\u003c\/h3\u003e\n\u003cp\u003eThe Studio Vintage is based on the earlier 1959 Super Lead format.\u003c\/p\u003e\n\u003cp\u003eIt provides an open Plexi-style response with bridgeable channels, while the Studio 900 offers dedicated channel switching and more saturated lead sounds.\u003c\/p\u003e\n\u003ch3\u003eMarshall ST20C Studio JTM\u003c\/h3\u003e\n\u003cp\u003eThe Studio JTM offers a softer attack, fuller bass response and earlier vintage-style breakup.\u003c\/p\u003e\n\u003cp\u003eThe Studio 900 is tighter, brighter and more suited to aggressive rock and higher-gain styles.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eDoes the Marshall SN20C have two channels?\u003c\/h3\u003e\n\u003cp\u003eYes. Channel A covers clean to medium-drive sounds, while Channel B produces classic lead tones with additional drive and sustain.\u003c\/p\u003e\n\u003ch3\u003eCan the channels be changed with a footswitch?\u003c\/h3\u003e\n\u003cp\u003eYes. The included two-button footswitch controls Channel A\/B selection and switches the reverb on or off.\u003c\/p\u003e\n\u003ch3\u003eDoes each channel have a separate reverb setting?\u003c\/h3\u003e\n\u003cp\u003eYes. Channel A and Channel B each have an independent Reverb control.\u003c\/p\u003e\n\u003ch3\u003eWhich speaker is fitted?\u003c\/h3\u003e\n\u003cp\u003eThe SN20C contains a 12-inch Celestion G12T-75 rated at 75 watts and 16 ohms.\u003c\/p\u003e\n\u003ch3\u003eIs it suitable for home use?\u003c\/h3\u003e\n\u003cp\u003eThe amplifier includes 5-watt and under-1-watt modes for more controlled playing levels.\u003c\/p\u003e\n\u003cp\u003eIt can still produce considerable volume through its 12-inch speaker, even in the lowest-power mode.\u003c\/p\u003e\n\u003ch3\u003eDoes it have an effects loop?\u003c\/h3\u003e\n\u003cp\u003eYes. The adjustable effects loop includes Send and Return connections and supports levels ranging from floor pedals to professional rack processors.\u003c\/p\u003e\n\u003ch3\u003eCan it be connected directly to recording equipment?\u003c\/h3\u003e\n\u003cp\u003eYes. A recording-compensated output is provided for compatible recording equipment and PA systems.\u003c\/p\u003e\n\u003cp\u003eA suitable speaker load must remain connected whenever the amplifier is powered on.\u003c\/p\u003e\n\u003ch3\u003eCan an external speaker cabinet be connected?\u003c\/h3\u003e\n\u003cp\u003eYes. The SN20C supports approved 16-ohm, 8-ohm and 4-ohm speaker configurations.\u003c\/p\u003e\n\u003cp\u003eThe total speaker load must always be connected to the correct output sockets.\u003c\/p\u003e\n\u003ch3\u003eIs the Studio 900 made in the UK?\u003c\/h3\u003e\n\u003cp\u003eYes. It is designed, engineered and manufactured at Marshall’s factory in Bletchley, England.\u003c\/p\u003e\n\u003ch3\u003eIs the Studio 900 entirely valve-driven?\u003c\/h3\u003e\n\u003cp\u003eThe SN20C uses ECC83 preamp and phase-splitter valves with two 5881 power valves. Its JCM900-inspired hybrid architecture also incorporates solid-state components alongside the valve amplification stages.\u003c\/p\u003e\n\u003ch2\u003eFair Deal Music Verdict\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e★★★★★ 5\/5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Marshall SN20C Studio 900 combines the clean, crunch and lead versatility of the JCM900 format with the portability and power control expected from the modern Studio range.\u003c\/p\u003e\n\u003cp\u003eIts three output settings make it far easier to manage than a traditional high-powered JCM900, while the Celestion G12T-75 provides the tight bass, defined attack and cutting projection needed for authoritative rock tones.\u003c\/p\u003e\n\u003cp\u003eIndependent channel controls, footswitch operation, spring reverb, an adjustable effects loop and direct-output options make it equally capable in the rehearsal room, recording studio and on stage.\u003c\/p\u003e\n\u003cp\u003eOffered in professionally checked Ex-Display condition, it represents an excellent opportunity to own a versatile British-made Marshall combo at a reduced price.\u003c\/p\u003e\n\u003ch2\u003eWhy Buy From Fair Deal Music?\u003c\/h2\u003e\n\u003cp\u003eChoosing Fair Deal Music means buying from a passionate team of musicians who genuinely understand the products we sell. 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All these features combine to give you the comfortable playing experience Fender has long been known for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecification:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"bulleted-list\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour:\u003c\/strong\u003e Dark Night\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e Alder\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody Finish:\u003c\/strong\u003e Gloss Urethane\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNeck Material:\u003c\/strong\u003e Maple\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNeck Finish:\u003c\/strong\u003e “Super-Natural” Satin Urethane\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNeck Shape:\u003c\/strong\u003e 1963 \"C\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScale Length:\u003c\/strong\u003e 34\" (864 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFingerboard:\u003c\/strong\u003e Rosewood\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFingerboard Radius:\u003c\/strong\u003e 9.5\" (241 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Frets:\u003c\/strong\u003e 20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrets Size:\u003c\/strong\u003e Narrow Tall\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eString Nut:\u003c\/strong\u003e Bone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNut Width:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e1.625\" (41.3 mm)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePosition Inlays:\u003c\/strong\u003e White Dot\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMiddle Pickup:\u003c\/strong\u003e V-Mod II Split Single-Coil Precision Bass\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Volume, Tone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridge:\u003c\/strong\u003e 4-Saddle HiMass Vintage (String-Through-Body or Top-Load)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHardware Finish:\u003c\/strong\u003e Nickel\/Chrome\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTuning Machines:\u003c\/strong\u003e Fender Lightweight Vintage-Style Keys with Tapered Shafts\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePickguard:\u003c\/strong\u003e 3-Ply Black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl Knobs: \u003c\/strong\u003eKnurled Flat-Top\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":55914642211196,"sku":"OB-0193930761","price":1699.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/products\/0193930761_fen_ins_frt_1_rr.png?v=1664447401"},{"product_id":"fender-american-ultra-ii-jazz-bass®-ebony-fingerboard-texas-tea-open-box","title":"Fender American Ultra II Jazz Bass®, Ebony Fingerboard, Texas Tea, (Open-Box) Electric Bass","description":"\u003cdiv class=\"show-more-box expanded\"\u003e\n\u003cdiv name=\"NaN\" data-cy=\"NaN\"\u003e\n\u003cp\u003eBass has a small chip in the headstock\u003c\/p\u003e\n\u003cp\u003eBuilt for players boldly seeking the best, American Ultra II is our most advanced series of instruments. 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Featuring an alder body and finished in Fender’s signature vintage-faded colours, this Stratocaster offers a striking aesthetic that echoes the golden age of guitar design, while delivering contemporary performance for today’s players.\u003c\/p\u003e\n\u003cp\u003eAt its core are the Coastline ’57 Stratocaster® pickups, expertly voiced to capture the chime, warmth, and dynamic response of a classic '50s Strat. The tone is clear and expressive, with plenty of character whether you're playing clean, pushed, or fully overdriven. Paired with a smooth Modern \"C\" neck profile and rosewood or maple fingerboard, the guitar offers effortless playability and all-day comfort.\u003c\/p\u003e\n\u003cp\u003eOther pro-level features include Fender Staggered ClassicGear tuners for vintage-correct looks and enhanced tuning stability. From stage to studio, the American Professional Classic Stratocaster is a soulful, high-performance instrument that honours its roots while embracing the needs of modern musicians.\u003cbr\u003e\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":56263301398908,"sku":"0114942384","price":1199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/DSC04268_cc5daf8b-1c5e-4604-80ef-881fab7ab857.jpg?v=1770307375"},{"product_id":"fender-american-professional-classic-hotshot-telecaster-butterscotch-blonde-open-box-b-stock-copy-copy-copy","title":"Fender American Professional Classic Hotshot Telecaster Butterscotch Blonde, Ex-Display","description":"\u003cdiv id=\"summary\" class=\"product-content-container\"\u003e\n\u003cdiv class=\"product-content-description\"\u003e\n\u003cdiv class=\"product-content-description__text\"\u003e\n\u003cp\u003eThe perfect blend of vintage charm and modern performance – the American Professional Classic HotShot™ Telecaster®.\u003c\/p\u003e\n\u003cp\u003eUnder the hood, vintage-inspired Coastline™ '63 Telecaster® and '57 Stratocaster® pickups deliver depth, punch and sparkle while the sleek Modern \"C\" neck provides exceptional comfort and playability. Fender Staggered ClassicGear™ tuners provide classic looks and precise tuning stability. Boasting custom-faded vintage and signature Fender® finishes, this professional-grade instrument looks as good as it sounds.\u003c\/p\u003e\n\u003cp\u003eFrom studio to stage, The American Professional Classic HotShot™ Telecaster® – All the soul of a golden-era Fender®, evolved for today's player.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-content-features\"\u003e\n\u003ch3 class=\"product-content-features__heading\"\u003eFeatures\u003c\/h3\u003e\n\u003cdiv id=\"full-feature-section\"\u003e\n\u003cul\u003e\n\u003cli\u003eAlder Body\u003c\/li\u003e\n\u003cli\u003eCoastline™ '63 Telecaster® and Coastline™ '57 Stratocaster® pickups\u003c\/li\u003e\n\u003cli\u003eModern \"C\"-shaped neck with 9.5\"-radius fingerboard and Medium Jumbo frets\u003c\/li\u003e\n\u003cli\u003eVintage-style Hardware and Staggered ClassicGear™ Tuners\u003c\/li\u003e\n\u003cli\u003eGreasebucket™ Tone System\u003c\/li\u003e\n\u003cli\u003eIncluded gigbag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":56263437353340,"sku":"0114970350","price":1349.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/0114970350_fen_ins_frt_1_rr.png?v=1770552389"},{"product_id":"fender-mij-hybrid-telecaster-custom-limited-run-gold-open-box-b-stock","title":"Fender MIJ Hybrid Telecaster Custom Limited Run Gold, Ex-Display, Electric Guitar","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eThis Item is an ex-display item so may have some signs of damage, feel free to call up and ask about the instrument 0121 643 1685\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fender Made in Japan Hybrid Telecaster Custom Limited Run Roasted Maple Neck - Gold delivers the perfect blend of vintage charm and modern performance. \u003c\/p\u003e\n\u003cp\u003eThis Japanese made Tele features the iconic single cutaway body made from alder which is married to a specially crafted roasted maple neck, shaped into a familiar \"U\" profile. The neck is topped with a comfy 9.5\" radius fingerboard which is set with 22 narrow tall frets and dot inlays.\u003c\/p\u003e\n\u003cp\u003eIts newly designed Hybrid II Custom Voiced Humbucker and Hybrid II Custom Voiced Single Coil pickups show up for everything from punchy sounds to crisp cutting tones, making the guitar suitable for any genre of music.\u003c\/p\u003e\n\u003cp\u003eOther appointments include vintage locking tuners with vintage style saddles, and a 3-ply pickguard.\u003c\/p\u003e\n\u003cp\u003eThe guitar comes complete with a gig bag.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlder body\u003c\/li\u003e\n\u003cli\u003eRoasted Maple neck - U profile\u003c\/li\u003e\n\u003cli\u003e9.5\" radius fingerboard\u003c\/li\u003e\n\u003cli\u003e22 narrow tall frets\u003c\/li\u003e\n\u003cli\u003eBone nut\u003c\/li\u003e\n\u003cli\u003eVintage locking tuners\u003c\/li\u003e\n\u003cli\u003e3-ply pickguard\u003c\/li\u003e\n\u003cli\u003eHybrid II custom voiced humbucker\u003c\/li\u003e\n\u003cli\u003e1 x Hybrid II custom voiced single coil\u003c\/li\u003e\n\u003cli\u003eVolume, Tone 1\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":56265411920252,"sku":"5501602378","price":999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/DSC04298_05264a69-b0f7-4ef3-af7d-d65ca637af87.jpg?v=1770309367"},{"product_id":"digitech-whammy-ricochet-pitch-shift-pedal-ex-display","title":"DigiTech Whammy Ricochet Pitch Shift Pedal, Ex-Display","description":"\u003cp\u003e\u003cstrong\u003ePlease Note: This item is Brand New and comes with full warranty, however the box has been opened and the item has been on display in our store. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DigiTech Whammy Ricochet is a compact pitch-shifting pedal that delivers the iconic Whammy effect without the need for a treadle. Instead, it utilises a momentary footswitch and adjustable rise and fall times to control pitch shifts, allowing for precise and expressive transitions. The pedal offers seven selectable pitch intervals—2nd, 4th, 5th, 7th, octave, double octave, and octave plus dry—providing a wide range of tonal possibilities. Its LED Trajectory Ladder offers visual feedback on the pitch shift direction and rate, enhancing usability during performances.\u003c\/p\u003e\n\u003cp\u003eDesigned for versatility, the Whammy Ricochet features both momentary and latching footswitch modes, enabling players to choose between temporary pitch shifts or sustained pitch changes. The independent control over rise and fall times allows for customised pitch shift speeds, from rapid transitions to gradual sweeps. 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It comes with Fender's warranty and will be setup before dispatch by our tech. Feel free to call up and ask about the instrument: 0121 643 1685\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt for players boldly seeking the best, American Ultra II is our most advanced series of instruments. American Ultra II guitars and basses feature premium materials, precision craftsmanship and cutting-edge design for instruments that both advance the state-of-the-art and stand the test of time.\u003c\/p\u003e\n\u003cp\u003eThe Fender American Ultra II Stratocaster features a select alder body with sculpted body contours. For effortless playability, the quartersawn maple neck features a Modern D profile and smooth Ultra Satin finish. Ebony or quartersawn maple 10”-14” compound radius fingerboards feature Ultra rolled edges, medium-jumbo frets, Luminlay side dots and Graph Tech TUSQ nuts. The tapered neck heel and sculpted body contours allow unparalleled access to the higher register.\u003c\/p\u003e\n\u003cp\u003eUnder the hood, a trio of Ultra II Noiseless Vintage Strat pickups deliver everything from sweet crystalline cleans to searing leads, all without a hint of hum. Fender's patented S-1 switch cleverly unlocks additional pickup configurations for even more tonal variety. Additional road-ready features include 2-Point American Ultra synchronized tremolo with pop-in arm, polished stainless steel block saddles, cold rolled steel block, deluxe locking tuners, soft-touch knobs and 1-ply anodized aluminum pickguard.\u003c\/p\u003e\n\u003cp\u003eThe American Ultra II Stratocaster infuses iconic style with advanced appointments to take your playing to stratospheric new heights. For players who demand flawless tone, infinite versatility and limitless performance, American Ultra II delivers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBody:\u003c\/b\u003e Select Alder\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinish:\u003c\/b\u003e Gloss Polyurethane\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNeck:\u003c\/b\u003e Quartersawn Maple\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNeck Shape:\u003c\/b\u003e Modern \"D\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNeck Finish:\u003c\/b\u003e Ultra Satin Urethane\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFingerboard: \u003c\/b\u003eQuartersawn Maple\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFingerboard Radius:\u003c\/b\u003e 10\" to 14\" Compound Radius (254 mm to 355.6 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eScale Length: \u003c\/b\u003e25.5\" (64.77 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNumber of Frets: \u003c\/b\u003e22, Medium Jumbo\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePosition Inlays: \u003c\/b\u003eBlack Pearloid Dots\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSide Dots: \u003c\/strong\u003eLuminlay\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNut:\u003c\/b\u003e \u003cspan\u003eGraph Tech TUSQ\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNut Width:\u003c\/b\u003e 1.685\" (42.8 mm)\u003cb\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePickup Configuration: \u003c\/strong\u003eSSS\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePickups:\u003c\/b\u003e \u003cspan\u003eUltra II Noiseless Vintage Strat\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eControls:\u003c\/b\u003e Master Volume (with S-1 Switch), Tone 1, Tone 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePickup Switching: \u003c\/b\u003e5-Position Blade\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBridge:\u003c\/b\u003e \u003cspan\u003e2-Point American Ultra Synchronized Tremolo with Polished Stainless Steel Block Saddles and Cold Rolled Steel Block\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTuning Machines: \u003c\/b\u003eDeluxe Cast\/Sealed Locking (all short posts)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePickguard:\u003c\/b\u003e 1-Ply Silver Anodized Aluminum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrap Buttons: \u003c\/strong\u003eLocking\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCase:\u003c\/b\u003e Deluxe Molded Case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":56637426270588,"sku":"0119142796-O","price":1949.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/0119142796_fen_ins_frt_1_rr.png?v=1729077109"},{"product_id":"fender-player-ii-modified-telecaster-in-sunshine-yellow-ex-display-electric-guitar-copy","title":"Fender Player II Modified Telecaster in 3 Tone Sunburst, Ex-Display Electric Guitar","description":"\u003cdiv class=\"product-content-description\"\u003e\n\u003cdiv class=\"product-content-description__text\"\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eThis Item is an ex-display item so may have some signs of damage, feel free to call up and ask about the instrument 0121 643 1685\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eGear up and get ready to take your performance to the next level with Player II Modified. Featuring key upgrades for the modern guitarist and bassist, these versatile instruments are designed to handle anything you can throw at them.\u003c\/p\u003e\n\u003cp\u003eThe Player II Modified Telecaster® is a classic guitar with the modern player in mind. Everything about the neck is designed for fast and fluid playability, from the Modern “C”-profile with silky satin urethane finish on the back to the comfy 9.5”-radius slab rosewood or 1-piece maple fingerboard with smooth rolled edges and 22 medium jumbo frets. The alder body provides classic Fender punch and is available in a variety of exciting new finishes. The Player II noiseless™ pickups deliver classic Tele® twang and bite while eliminating unwanted noise and the push\/pull switch on the tone control provides even more tonal flexibility by changing the pickup wiring from parallel to series for fatter tones. The 6-saddle bridge, short post locking tuners, TUSQ® nut and modern string tree all combine to keep tuning incredibly stable for even the most demanding bends or roaring rock leads.\u003c\/p\u003e\n\u003cp\u003eUpgrade your arsenal today with the Player II Modified Telecaster.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-content-features\"\u003e\n\u003ch3 class=\"product-content-features__heading\"\u003eFeatures\u003c\/h3\u003e\n\u003cdiv id=\"full-feature-section\"\u003e\n\u003cul\u003e\n\u003cli\u003eModern \"C\" Neck Profile with 9.5“-Radius Fingerboard and Rolled Edges\u003c\/li\u003e\n\u003cli\u003eNew Player II Noiseless™ Tele® Pickups\u003c\/li\u003e\n\u003cli\u003eUpgraded Electronics\u003c\/li\u003e\n\u003cli\u003eModern Tele® Bridge with 6 Block Brass Saddles\u003c\/li\u003e\n\u003cli\u003eShort Post Locking Tuning Machines\u003c\/li\u003e\n\u003cli\u003eTUSQ® Nut and Modern String Tree\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":56662278373756,"sku":"0147450300","price":749.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/DSC06353_0999d0e0-ce9e-4edf-8b77-5162876ddd55.jpg?v=1776782709"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/collections\/ChatGPT_Image_Jul_28_2026_02_19_21_PM_9f2e9f63-1777-4a29-950c-3003fa494821.png?v=1785249745","url":"https:\/\/www.fairdealmusic.co.uk\/collections\/open-box-ex-display-guitars-and-basses-1.oembed?page=2","provider":"Fair Deal Music","version":"1.0","type":"link"}