{"product_id":"dod-drag-analog-delay-guitar-pedal","title":"DOD Drag Analog Delay Guitar Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eDOD Drag Analog Delay\u003c\/strong\u003e is a feature-packed BBD delay pedal built for players who want classic warm analogue repeats combined with much more experimental real-time control.\u003c\/p\u003e\n\u003cp\u003eAt its core is a fully analogue \u003cstrong\u003ebucket-brigade delay engine with up to 750ms of delay time\u003c\/strong\u003e, covering everything from quick slapback and rhythmic echoes to long, drifting repeats and psychedelic self-oscillation.\u003c\/p\u003e\n\u003cp\u003eWhere the Drag really separates itself from a conventional analogue delay is its \u003cstrong\u003eFriction system\u003c\/strong\u003e. Hold the footswitch and you can trigger dramatic SlideStop, Rubberneck and Evade effects that manipulate the delay time for tape-stop-style slowdowns, octave pitch bends and abrupt braking-and-accelerating textures.\u003c\/p\u003e\n\u003cp\u003eAdd modulation with four selectable waveform shapes, three intensity ranges, flexible bypass modes and optional FS3X footswitch control, and the Drag becomes an exceptionally creative delay for rock, ambient, psychedelic, experimental and alternative guitar.\u003c\/p\u003e\n\u003ch2\u003eAt A Glance\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eFeature\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDOD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDrag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Code\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDOD-DRAG-V-00\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAnalog Delay Pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNew\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDelay Engine\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFully Analog BBD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Standard Delay Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e750ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTime, Feedback, Filter, Level, Drift, Friction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModulation Waveforms\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSine, Reverse Saw, Square, Random\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModulation Ranges\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLight, Medium, Heavy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFriction Effects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSlideStop, Rubberneck, Evade\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSelf-Oscillation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptional DigiTech FS3X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass Options\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTrue Bypass \/ Buffered Tails \/ Buffered Tails + Dry Kill\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eJack Layout\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTop Mounted\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLess Than 120mA Typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9V DC Centre Negative\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRock, ambient, psychedelic, experimental and creative delay effects\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhat Makes The DOD Drag Special?\u003c\/h2\u003e\n\u003cp\u003eThe Drag combines the warmth and natural degradation of a traditional BBD analogue delay with performance effects normally associated with much more specialised delay processors.\u003c\/p\u003e\n\u003cp\u003eYou can use it as a conventional analogue delay for slapback, rhythmic echoes and atmospheric repeats, then hold the footswitch to manipulate the delay time in real time.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eFriction control\u003c\/strong\u003e determines how quickly these changes happen, allowing anything from smooth tape-style slowdowns to sudden, dramatic pitch dives and accelerations.\u003c\/p\u003e\n\u003ch2\u003eFully Analog BBD Delay\u003c\/h2\u003e\n\u003cp\u003eThe Drag uses a genuine \u003cstrong\u003ebucket-brigade device delay engine\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBBD delay is known for repeats that gradually become darker and softer as they regenerate, producing a warmer and more organic response than pristine digital delay.\u003c\/p\u003e\n\u003cp\u003eThe Drag provides up to \u003cstrong\u003e750ms of standard delay time\u003c\/strong\u003e, giving you plenty of range for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRockabilly slapback\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eShort doubling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRhythmic delay\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLead guitar echoes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAmbient textures\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePsychedelic repeats\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelf-oscillating noise\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSix Main Controls\u003c\/h2\u003e\n\u003ch3\u003eTime\u003c\/h3\u003e\n\u003cp\u003eAdjusts the basic delay time.\u003c\/p\u003e\n\u003cp\u003eShort settings create tight slapback and doubling effects, while longer settings produce spacious rhythmic and atmospheric echoes.\u003c\/p\u003e\n\u003ch3\u003eFeedback\u003c\/h3\u003e\n\u003cp\u003eControls how many repeats are generated.\u003c\/p\u003e\n\u003cp\u003eLower settings give a small number of echoes, while higher settings create longer trails and eventually push the pedal into \u003cstrong\u003eself-oscillation\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eFilter\u003c\/h3\u003e\n\u003cp\u003eAdjusts the low-pass filtering applied to the delay repeats.\u003c\/p\u003e\n\u003cp\u003eTurn it down for darker, warmer echoes or increase it for brighter and more defined repeats.\u003c\/p\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eControls the volume of the delayed signal relative to your dry sound.\u003c\/p\u003e\n\u003ch3\u003eDrift\u003c\/h3\u003e\n\u003cp\u003eControls the intensity and behaviour of the modulation applied to the delay.\u003c\/p\u003e\n\u003cp\u003eThree modulation ranges—\u003cstrong\u003eLight, Medium and Heavy\u003c\/strong\u003e—let you move from subtle analogue movement to much more pronounced pitch modulation.\u003c\/p\u003e\n\u003ch3\u003eFriction\u003c\/h3\u003e\n\u003cp\u003eControls the onset and recovery speed of the Drag's real-time delay-warping effects.\u003c\/p\u003e\n\u003cp\u003eLower settings create slower transitions, while higher settings produce faster and more abrupt pitch movement.\u003c\/p\u003e\n\u003ch2\u003eFour Modulation Waveforms\u003c\/h2\u003e\n\u003cp\u003eThe Drag gives you four different modulation shapes:\u003c\/p\u003e\n\u003ch3\u003eSine\u003c\/h3\u003e\n\u003cp\u003eSmooth, flowing modulation suited to classic analogue chorus-like delay movement.\u003c\/p\u003e\n\u003ch3\u003eReverse Saw\u003c\/h3\u003e\n\u003cp\u003eCreates a more directional sweeping effect with a distinctive rising-and-resetting character.\u003c\/p\u003e\n\u003ch3\u003eSquare\u003c\/h3\u003e\n\u003cp\u003eProduces abrupt modulation changes for more obvious pitch movement.\u003c\/p\u003e\n\u003ch3\u003eRandom\u003c\/h3\u003e\n\u003cp\u003eIntroduces unpredictable variation for drifting, unstable and experimental textures.\u003c\/p\u003e\n\u003cp\u003eCombined with the Light, Medium and Heavy Drift ranges, these waveforms give the Drag a broad modulation palette.\u003c\/p\u003e\n\u003ch2\u003eSlideStop\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSlideStop\u003c\/strong\u003e is one of the Drag's new Friction effects.\u003c\/p\u003e\n\u003cp\u003eHold the footswitch and the delay time begins to slow dramatically, producing a sound similar to braking a tape machine or slowing a record.\u003c\/p\u003e\n\u003cp\u003eTwo variations are available:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eShallow Slide\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eDeep Slide\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRelease the footswitch and the delay accelerates back towards its original setting.\u003c\/p\u003e\n\u003cp\u003eThe Friction control determines how quickly the effect slows down and recovers.\u003c\/p\u003e\n\u003ch2\u003eRubberneck\u003c\/h2\u003e\n\u003cp\u003eThe Drag also inherits the famous \u003cstrong\u003eRubberneck\u003c\/strong\u003e concept from the larger DOD Rubberneck Analog Delay.\u003c\/p\u003e\n\u003cp\u003eRubberneck dynamically stretches or compresses the delay time to create dramatic pitch bending.\u003c\/p\u003e\n\u003cp\u003eAvailable behaviour includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eOctave Up Bend\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eOctave Down Bend\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHold the footswitch to trigger the bend, then release it to return to the original delay setting.\u003c\/p\u003e\n\u003cp\u003eThis is especially effective for transitions, psychedelic textures and live performance effects.\u003c\/p\u003e\n\u003ch2\u003eEvade\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eEvade\u003c\/strong\u003e introduces another style of delay-time manipulation.\u003c\/p\u003e\n\u003cp\u003eIts two variations are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eHopStop Slide\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSlide-n-Go\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThese settings create rapid braking, shifting and acceleration effects that push the analogue delay engine far beyond standard delay operation.\u003c\/p\u003e\n\u003cp\u003eCombined with the Friction control, Evade can move from relatively controlled time manipulation to extreme pitch-warping effects.\u003c\/p\u003e\n\u003ch2\u003eSelf-Oscillation\u003c\/h2\u003e\n\u003cp\u003eTurn the Feedback control high enough and the Drag enters the runaway feedback behaviour associated with classic analogue delays.\u003c\/p\u003e\n\u003cp\u003eThis can produce:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRising walls of repeats\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDrones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNoise sweeps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePitch-shifting feedback\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAmbient transitions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExperimental sound effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eManipulating Friction, Time and Drift while the pedal is oscillating opens up particularly extreme sounds.\u003c\/p\u003e\n\u003ch2\u003eFlexible Bypass Modes\u003c\/h2\u003e\n\u003cp\u003eThe Drag provides three bypass behaviours.\u003c\/p\u003e\n\u003ch3\u003eTrue Hardwired Bypass\u003c\/h3\u003e\n\u003cp\u003eThe pedal is fully bypassed and the existing delay repeats stop immediately.\u003c\/p\u003e\n\u003ch3\u003eBuffered Bypass With Tails\u003c\/h3\u003e\n\u003cp\u003eThe dry signal remains buffered and existing delay repeats continue naturally after bypassing the effect.\u003c\/p\u003e\n\u003ch3\u003eBuffered Bypass With Tails \u0026amp; Dry Kill\u003c\/h3\u003e\n\u003cp\u003eThis mode adds Dry Kill operation alongside delay tails for more specialised routing and effect applications.\u003c\/p\u003e\n\u003ch2\u003eOptional FS3X Footswitch Control\u003c\/h2\u003e\n\u003cp\u003eA dedicated \u003cstrong\u003e3.5mm control input\u003c\/strong\u003e allows the Drag to connect to an optional \u003cstrong\u003eDigiTech FS3X three-button footswitch\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis provides expanded hands-free access to the pedal's advanced functions, making the Drag even more practical for live performance.\u003c\/p\u003e\n\u003cp\u003eThe FS3X is sold separately.\u003c\/p\u003e\n\u003ch2\u003eTop-Mounted Connections\u003c\/h2\u003e\n\u003cp\u003eThe Drag uses a \u003cstrong\u003etop-jack enclosure design\u003c\/strong\u003e, helping reduce the horizontal space required by patch cables.\u003c\/p\u003e\n\u003cp\u003eThis makes it easier to fit alongside other effects on a crowded pedalboard.\u003c\/p\u003e\n\u003ch2\u003eReversible StagePlate™\u003c\/h2\u003e\n\u003cp\u003eDOD's reversible \u003cstrong\u003eStagePlate™\u003c\/strong\u003e base provides two mounting options.\u003c\/p\u003e\n\u003cp\u003eOne side has a rubber skid surface for stable floor use.\u003c\/p\u003e\n\u003cp\u003eRemove the screws and reverse the plate to expose the hook-and-loop mounting surface for easier pedalboard installation.\u003c\/p\u003e\n\u003ch2\u003eWho Is It For?\u003c\/h2\u003e\n\u003cp\u003eThe DOD Drag is ideal for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRock\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePsychedelic guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAmbient\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eShoegaze\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePost-rock\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAlternative\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndie\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExperimental music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNoise\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSound design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLead guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAnalogue delay fans\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePlayers who enjoy self-oscillation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMusicians wanting hands-on performance effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhy Choose An Analog Delay?\u003c\/h2\u003e\n\u003cp\u003eAnalogue BBD delays naturally darken the repeated signal as it regenerates.\u003c\/p\u003e\n\u003cp\u003eRather than producing perfectly identical echoes, each repeat becomes progressively softer and more coloured.\u003c\/p\u003e\n\u003cp\u003eThis helps the delay sit behind your dry guitar signal instead of competing with it.\u003c\/p\u003e\n\u003cp\u003eThe Drag combines this traditional analogue behaviour with extensive modulation and real-time time-warping effects, giving it considerably more creative range than a simple vintage-style delay.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003ch3\u003eDOD Drag vs Conventional Analog Delay\u003c\/h3\u003e\n\u003cp\u003eA conventional analogue delay generally gives you control over delay time, repeats and level.\u003c\/p\u003e\n\u003cp\u003eThe Drag adds extensive modulation, self-oscillation, flexible bypass modes and three different families of real-time Friction effects.\u003c\/p\u003e\n\u003ch3\u003eDOD Drag vs DOD Rubberneck\u003c\/h3\u003e\n\u003cp\u003eThe larger \u003cstrong\u003eDOD Rubberneck Analog Delay\u003c\/strong\u003e offers up to 1.5 seconds of delay, tap tempo, an effects loop and extensive dedicated controls.\u003c\/p\u003e\n\u003cp\u003eThe Drag takes the core analogue-delay and Rubbernecking concept in a smaller format while adding new \u003cstrong\u003eSlideStop and Evade\u003c\/strong\u003e time-warping effects.\u003c\/p\u003e\n\u003ch3\u003eDOD Drag vs Digital Delay\u003c\/h3\u003e\n\u003cp\u003eA digital delay typically prioritises clean and accurate repeats.\u003c\/p\u003e\n\u003cp\u003eThe Drag is deliberately analogue, producing warmer BBD repeats that progressively change character as they regenerate.\u003c\/p\u003e\n\u003ch2\u003eWhat's Included?\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eDOD Drag Analog Delay Guitar Pedal\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eReversible StagePlate™\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMechanic's Toolkit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProduct documentation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional DigiTech FS3X footswitch not included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo power supply included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDOD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDrag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU \/ Product Code\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDOD-DRAG-V-00\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTime-Warping Analog Delay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDelay Technology\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAnalog BBD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStandard Delay Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 750ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTime, Feedback, Filter, Level, Drift, Friction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModulation Waveforms\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSine, Reverse Saw, Square, Random\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModulation Ranges\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLight, Medium, Heavy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFriction Categories\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSlideStop, Rubberneck, Evade\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSlideStop Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eShallow Slide \/ Deep Slide\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRubberneck Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOctave Up \/ Octave Down\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEvade Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHopStop Slide \/ Slide-n-Go\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 x 1\/4\" Mono Instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGreater Than 500kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 x 1\/4\" Mono Instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLess Than 1kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eExternal Footswitch Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCompatible Footswitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDigiTech FS3X, Optional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass Options\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTrue Hardwired \/ Buffered Tails \/ Buffered Tails + Dry Kill\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e121 × 71 × 38mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeight Including Footswitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApprox. 53mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.67 lbs \/ 0.30kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLess Than 120mA Typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Requirement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9V DC Centre Negative\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNew\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003ePower Requirements\u003c\/h2\u003e\n\u003cp\u003eThe DOD Drag requires a \u003cstrong\u003ewell-regulated 9V DC centre-negative power supply\u003c\/strong\u003e using a standard 2.1mm barrel connector.\u003c\/p\u003e\n\u003cp\u003eTypical current draw is \u003cstrong\u003eless than 120mA\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo power supply is included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eFAQs\u003c\/h2\u003e\n\u003ch3\u003eWhat type of delay is the DOD Drag?\u003c\/h3\u003e\n\u003cp\u003eThe Drag is a fully analogue \u003cstrong\u003eBBD delay pedal\u003c\/strong\u003e with modulation and real-time delay-time manipulation.\u003c\/p\u003e\n\u003ch3\u003eHow much delay time does the DOD Drag have?\u003c\/h3\u003e\n\u003cp\u003eIt provides up to approximately \u003cstrong\u003e750ms of standard delay time\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eIs the DOD Drag a digital delay?\u003c\/h3\u003e\n\u003cp\u003eNo. The delay engine is fully analogue and uses BBD technology.\u003c\/p\u003e\n\u003ch3\u003eWhat is Friction?\u003c\/h3\u003e\n\u003cp\u003eFriction is DOD's system for controlling how quickly the delay time changes when using the SlideStop, Rubberneck and Evade performance effects.\u003c\/p\u003e\n\u003ch3\u003eWhat is SlideStop?\u003c\/h3\u003e\n\u003cp\u003eSlideStop slows the delay dramatically when the footswitch is held, creating tape-stop and braking-style pitch effects.\u003c\/p\u003e\n\u003ch3\u003eWhat is Rubberneck?\u003c\/h3\u003e\n\u003cp\u003eRubberneck manipulates the delay time to produce real-time octave-up or octave-down pitch bends.\u003c\/p\u003e\n\u003ch3\u003eWhat is Evade?\u003c\/h3\u003e\n\u003cp\u003eEvade provides additional abrupt stop-and-accelerate delay-time effects using HopStop Slide and Slide-n-Go settings.\u003c\/p\u003e\n\u003ch3\u003eDoes the Drag have modulation?\u003c\/h3\u003e\n\u003cp\u003eYes. It offers four modulation waveform shapes and three intensity ranges.\u003c\/p\u003e\n\u003ch3\u003eWhat modulation waveforms are available?\u003c\/h3\u003e\n\u003cp\u003eSine, Reverse Saw, Square and Random.\u003c\/p\u003e\n\u003ch3\u003eCan the Drag self-oscillate?\u003c\/h3\u003e\n\u003cp\u003eYes. Higher Feedback settings push the analogue delay circuit into runaway self-oscillation.\u003c\/p\u003e\n\u003ch3\u003eDoes it have delay trails?\u003c\/h3\u003e\n\u003cp\u003eYes. Buffered bypass modes are available that allow existing delay repeats to decay naturally after the effect is switched off.\u003c\/p\u003e\n\u003ch3\u003eDoes it have true bypass?\u003c\/h3\u003e\n\u003cp\u003eYes. A true hardwired bypass mode is available.\u003c\/p\u003e\n\u003ch3\u003eWhat is Dry Kill?\u003c\/h3\u003e\n\u003cp\u003eDry Kill removes the unaffected dry signal, leaving only the processed delay signal.\u003c\/p\u003e\n\u003ch3\u003eCan I connect an external footswitch?\u003c\/h3\u003e\n\u003cp\u003eYes. The optional DigiTech FS3X provides expanded control through the Drag's 3.5mm footswitch input.\u003c\/p\u003e\n\u003ch3\u003eIs the FS3X included?\u003c\/h3\u003e\n\u003cp\u003eNo. The FS3X footswitch is sold separately.\u003c\/p\u003e\n\u003ch3\u003eIs the DOD Drag good for ambient and psychedelic guitar?\u003c\/h3\u003e\n\u003cp\u003eYes. Its analogue repeats, modulation, self-oscillation and time-warping effects make it particularly well suited to ambient, psychedelic, shoegaze and experimental sounds.\u003c\/p\u003e\n\u003ch3\u003eDoes it have top-mounted jacks?\u003c\/h3\u003e\n\u003cp\u003eYes. The main audio and power connections use a space-efficient top-mounted design.\u003c\/p\u003e\n\u003ch3\u003eWhat power supply does it require?\u003c\/h3\u003e\n\u003cp\u003eIt requires a regulated \u003cstrong\u003e9V DC centre-negative power supply\u003c\/strong\u003e capable of supplying at least 120mA.\u003c\/p\u003e\n\u003ch3\u003eIs a power supply included?\u003c\/h3\u003e\n\u003cp\u003eNo. A compatible external power supply is \u003cstrong\u003enot included\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2\u003eWhy Buy From Fair Deal Music?\u003c\/h2\u003e\n\u003cp\u003eWhen you buy from Fair Deal Music, you're choosing one of the UK's most established, independent family run music retailers since 1987.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eExpert advice from knowledgeable musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eCarefully checked new, used, pre-owned and ex-display equipment\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eCompetitive prices on leading music brands\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSecure UK-wide delivery\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible finance options, subject to status\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eFriendly support before and after purchase\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eIndependent UK music retailer established in 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eLarge Birmingham showroom at 79–83 Holloway Head\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrade In. Trade Up. Save More.\u003c\/h3\u003e\n\u003cp\u003eLooking to upgrade your pedalboard? \u003cstrong\u003eFair Deal Music accepts part exchanges\u003c\/strong\u003e across a wide range of effects pedals, guitars, basses, amplifiers and other musical equipment.\u003c\/p\u003e\n\u003cp\u003eContact our team for a \u003cstrong\u003eno-obligation valuation\u003c\/strong\u003e and find out how the value of your existing gear could help towards your new DOD Drag.\u003c\/p\u003e","brand":"DOD","offers":[{"title":"Default Title","offer_id":57484743442812,"sku":"DOD-DRAG-V-00","price":199.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/6457\/9484\/files\/DODDrag1.png?v=1790084546","url":"https:\/\/www.fairdealmusic.co.uk\/products\/dod-drag-analog-delay-guitar-pedal","provider":"Fair Deal Music","version":"1.0","type":"link"}