

Electro Harmonix Nano Big Muff PI 2 Fuzz Pedal
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Electro Harmonix Nano Big Muff PI 2 Fuzz Pedal
Description
The Electro-Harmonix Big Muff Pi 2 brings a previously unreleased chapter of Big Muff history to life. Built around a long-lost dual-op-amp circuit designed during the 1970s, it delivers the thick sustain and full-bodied saturation associated with the Big Muff family while introducing a rougher, more mid-forward personality of its own.
Compared with many traditional Big Muff variations, the Big Muff Pi 2 offers slightly lower gain, a less polished edge and a pronounced midrange grind. Lower Sustain settings provide heavy crunch with plenty of attack, while higher settings create dense, speaker-pounding fuzz and long, singing sustain.
The familiar Volume, Tone and Sustain controls keep operation immediate, while a soft-touch footswitch offers both conventional latching and momentary operation. Housed in a rugged Nano-sized enclosure and supplied with a 9V battery, the Big Muff Pi 2 combines an intriguing piece of Electro-Harmonix history with modern pedalboard practicality.
Quick Product Summary
The Electro-Harmonix Big Muff Pi 2 is an analogue fuzz, distortion and sustainer pedal featuring a unique circuit built around two dual operational amplifiers.
Originally conceived by Big Muff designer Bob Myer during the late 1970s, the circuit remained unreleased until the original schematic was rediscovered and decoded in collaboration with Josh Scott of JHS Pedals.
Its distinctive sound combines the sustain and weight of a classic Big Muff with a slightly lower-gain response, gritty edges and greater midrange presence. A soft-touch latching and momentary footswitch makes it suitable for conventional always-on fuzz sounds as well as brief bursts of saturation during a performance.
At A Glance
| Feature | Details |
|---|---|
| Brand | Electro-Harmonix |
| Model | Big Muff Pi 2 |
| Product Type | Fuzz, distortion and sustainer pedal |
| Circuit | Analogue dual-op-amp design |
| Operational Amplifiers | Two dual op-amps |
| Controls | Volume, Tone and Sustain |
| Switching | Latching and momentary |
| Bypass | Mechanical-relay true bypass |
| Audio Format | Mono |
| Input Impedance | 117kΩ |
| Maximum Output Impedance | 2.7kΩ |
| Power | 9V battery or optional 9V DC adapter |
| Current Draw | 15mA |
| Dimensions | 4.5 × 2.75 × 2.1 inches |
| Enclosure | Compact Nano-sized chassis |
| Release Year | 2025 |
| Main Appeal | Rediscovered dual-op-amp Big Muff circuit with gritty mids and huge sustain |
| Best For | Alternative rock, grunge, heavy rock, shoegaze, psychedelic and experimental music |
| Suitable Instruments | Electric guitar, bass and compatible electronic instruments |
| Condition | Brand New |
Why Choose the Electro-Harmonix Big Muff Pi 2?
A Lost Big Muff Circuit Brought to Life
The Big Muff Pi 2 is based on a previously unreleased circuit developed during the 1970s by Bob Myer, one of the original designers behind the Big Muff Pi.
The hand-drawn schematic was uncovered decades later among Myer’s original notes. Josh Scott of JHS Pedals decoded the design, allowing Electro-Harmonix to produce the circuit commercially for the first time.
This gives the Big Muff Pi 2 a genuine place within Big Muff history rather than simply making it another variation of an existing production model.
Unique Dual-Op-Amp Architecture
The pedal uses two dual operational amplifiers to generate its gain, distortion and sustain.
This creates a different feel from the transistor-based architecture found in many classic Big Muff models. The result remains recognisably Big Muff, but with its own combination of:
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Gritty midrange presence
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Slightly lower overall gain
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Rougher distortion edges
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Strong pick attack
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Full-bodied saturation
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Long, compressed sustain
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Heavy crunch at restrained settings
The distinctive op-amp architecture makes the Big Muff Pi 2 an excellent alternative for players who find some traditional Big Muff circuits too smooth or heavily scooped.
Midrange Grind That Cuts Through
The Big Muff Pi 2 has a noticeable midrange character that helps riffs and lead lines retain their place within a band mix.
This is particularly useful when playing alongside:
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Distorted rhythm guitars
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Heavy drums
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Keyboards and synthesisers
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Layered studio tracks
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Additional modulation effects
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Bass-heavy amplification
Its mid-forward grind can provide greater definition than a deeply scooped fuzz sound while retaining the scale and harmonic density expected from a Big Muff.
Heavy Crunch at Lower Sustain Settings
The Big Muff Pi 2 does not need to be set to maximum gain to produce a powerful sound.
Lower Sustain settings create a heavy, textured crunch with more space around the notes and a clearer sense of pick attack. This makes the pedal effective for rhythm guitar, repeated riffs and parts that require more definition than a fully saturated fuzz sound.
Lower-gain settings are particularly useful for:
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Alternative-rock rhythm parts
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Garage-style guitar
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Heavy blues riffs
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Dynamic chord playing
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Fuzz and overdrive stacking
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Recording multiple guitar layers
Full Saturation and Singing Sustain
Turning up the Sustain control increases the distortion, compression and note length.
Higher settings create dense, speaker-pounding saturation suitable for huge power chords, sustained leads and feedback-driven textures.
The smooth compression helps individual notes continue beneath bends and vibrato, making the Big Muff Pi 2 equally capable as a rhythm fuzz and a lead sustainer.
Classic Big Muff Tone Control
The Tone control adjusts the balance between bass and treble.
Turning it anticlockwise increases the bass response and reduces treble, producing a deeper and woollier sound. Turning it clockwise increases treble while reducing bass, creating a sharper and more cutting response.
This allows the pedal to be adapted for:
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Bright single-coil pickups
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Darker humbuckers
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Clean or driven amplifiers
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Standard and lowered tunings
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Rhythm and lead guitar
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Sparse or heavily layered arrangements
Adjustable Output Volume
The Volume control sets the overall output level of the effect.
It can be used to match the bypassed instrument signal, create a level boost when the pedal is engaged or push the front end of an amplifier and subsequent gain pedals.
The available output also helps compensate for tonal changes made with the Tone control.
Soft-Touch Footswitch
The Big Muff Pi 2 uses a soft-touch footswitch rather than a traditional heavy mechanical switch.
This provides smooth and quiet physical operation while a mechanical relay handles the true-bypass signal switching.
The pedal therefore combines the signal-path benefits of true bypass with a more comfortable modern footswitch action.
Latching and Momentary Operation
A normal press and release of the footswitch toggles between effect and bypass in the conventional way.
Holding the footswitch for more than half a second creates a temporary change. The pedal returns to its previous state when the switch is released.
This can be used to:
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Add brief bursts of fuzz
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Accentuate individual chords
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Introduce momentary lead sustain
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Create short transitions between song sections
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Momentarily clean up an effected passage
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Produce rhythmic switching effects
The momentary-hold function can also be disabled, and the pedal remembers the chosen setting after being disconnected from power.
Mechanical-Relay True Bypass
The Big Muff Pi 2 uses a mechanical relay for true-bypass operation.
When bypassed, the active fuzz circuit is removed from the audio path. The status LED clearly indicates when the effect is engaged.
Compact Nano-Sized Enclosure
The pedal is housed in Electro-Harmonix’s compact Nano-sized chassis, measuring approximately 4.5 × 2.75 × 2.1 inches.
This makes it considerably easier to fit onto a modern pedalboard than a traditional large-format Big Muff enclosure.
The compact footprint leaves more room for:
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Tuner pedals
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Boosts and overdrives
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Modulation effects
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Pitch shifters
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Delay and reverb
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Loop switchers
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Additional fuzz pedals
Distinctive Daniel Danger Artwork
The enclosure features original artwork by illustrator Daniel Danger, giving the Big Muff Pi 2 a visual identity that reflects its unusual history and rediscovered circuit.
Why Choose a Dual-Op-Amp Fuzz Pedal?
Operational amplifiers can be used to create gain, clipping and signal shaping within an analogue distortion circuit.
The Big Muff Pi 2 uses two dual op-amps to produce a response that differs from the four-transistor architecture associated with many other Big Muff versions.
Its dual-op-amp design provides:
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Strong midrange character
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Fast and immediate attack
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Heavy crunch at lower gain
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Dense saturation at higher settings
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Extended sustain
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Consistent analogue distortion
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A rougher edge than smoother Muff variations
This makes the pedal particularly useful for musicians who want the weight and sustain of a Big Muff but prefer a more aggressive and less polished response.
Who Is the Electro-Harmonix Big Muff Pi 2 For?
Alternative-Rock Guitarists
The gritty mids and heavy crunch work particularly well for layered rhythm parts, aggressive choruses and contrasting clean-to-fuzz arrangements.
Grunge Players
The pedal can move from rough distortion to thick, compressed saturation, making it suitable for dynamic riffs and heavy power chords.
Shoegaze Musicians
High Sustain settings create a dense foundation for reverb, delay and modulation. Placing reverb before the pedal can produce especially broad and compressed walls of sound.
Psychedelic Guitarists
Long sustain, feedback and the momentary footswitch function make it an excellent tool for experimental lead sounds and evolving textures.
Heavy-Rock Players
The full-bodied response gives riffs plenty of weight, while the pronounced mids help retain definition alongside drums and bass.
Lead Guitarists
Higher Sustain settings produce compressed, singing notes that respond well to bends, vibrato and controlled feedback.
Rhythm Guitarists
Lower Sustain settings provide more attack and definition than a fully saturated fuzz sound, making the pedal useful for repeated riffs and chord-based playing.
Recording Musicians
Its unusual dual-op-amp character provides a distinctive alternative to transistor-based fuzzes when layering several guitar parts.
Existing Big Muff Users
Players who already own a traditional NYC, Ram’s Head, Green Russian or Triangle Big Muff will find that the Big Muff Pi 2 offers a noticeably different texture and midrange response.
Experimental Musicians
Momentary switching and the pedal’s rough harmonic edge make it suitable for abrupt sound changes, feedback manipulation and unconventional effects combinations.
What’s Included?
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Electro-Harmonix Big Muff Pi 2 fuzz pedal
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9V battery
External power adapter not included.
Fair Deal Quality Control Assessment
Every effects pedal supplied by Fair Deal Music is checked by our experienced team before dispatch.
Our assessment includes:
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Enclosure and artwork inspection
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Input and output socket test
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Volume-control operation
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Full Tone-control range assessment
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Sustain-control operation
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Low- and high-gain sound check
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Latching footswitch operation
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Momentary footswitch operation
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Mechanical-relay true-bypass check
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Status LED inspection
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Battery operation
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External power input check
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Final presentation and packing inspection
Technical Specifications
General
| Specification | Details |
|---|---|
| Effect Type | Fuzz, distortion and sustainer |
| Circuit Type | Analogue |
| Gain Architecture | Two dual operational amplifiers |
| Historical Design Period | Late 1970s |
| Audio Format | Mono |
| Bypass Type | Mechanical-relay true bypass |
| Footswitch | Soft-touch latching and momentary |
| Controls | Volume, Tone and Sustain |
| Enclosure | Nano-sized chassis |
| Artwork | Daniel Danger |
| Release Date | December 2025 |
| Dimensions | 4.5 × 2.75 × 2.1 inches |
| UPC | 683274012728 |
Controls
| Control | Function |
|---|---|
| Volume | Sets the overall effect output level |
| Tone | Adjusts the frequency balance from deep bass to high treble |
| Sustain | Controls the amount of distortion, compression and sustain |
| Footswitch | Selects effect or bypass and provides momentary operation |
| Status LED | Illuminates when the effect is active |
Connections
| Connection | Details |
|---|---|
| Input | ¼-inch mono audio input |
| Input Impedance | 117kΩ |
| Output | ¼-inch mono audio output |
| Maximum Output Impedance | 2.7kΩ |
| Power Input | Centre-negative DC barrel connection |
Power Requirements
The Electro-Harmonix Big Muff Pi 2 can operate from the supplied 9V battery or a compatible regulated pedalboard power supply.
| Specification | Details |
|---|---|
| Operating Voltage | 9V DC |
| Current Draw | 15mA |
| Polarity | Centre-negative |
| Battery Type | 9V |
| Battery Included | Yes |
| Recommended Adapter | Electro-Harmonix 9.6DC-200mA |
| Minimum Recommended Supply Capacity | 50mA |
| Maximum Permitted DC Input | 12V |
| External Adapter Included | No |
When operating from a battery, inserting a cable into the Input socket activates the pedal’s power. Disconnect the input cable when the pedal is not being used to preserve battery life.
Use a regulated power supply with the correct voltage and centre-negative polarity.
Where Should the Big Muff Pi 2 Be Placed?
There is no single correct pedal order, but the following positions provide useful starting points.
Near the Beginning of the Signal Chain
Placing the Big Muff Pi 2 after a tuner and before modulation, delay and reverb gives the fuzz a direct instrument signal.
Later effects can then process the complete distorted sound.
After an Overdrive or Boost
An overdrive placed before the Big Muff Pi 2 can tighten the bass, add additional midrange and drive the dual-op-amp circuit harder.
This is particularly useful for focused lead sounds and dense band arrangements.
Before an Overdrive
Placing an overdrive after the fuzz reshapes the complete Big Muff Pi 2 signal.
Depending on the overdrive used, this can add compression, reduce low-frequency looseness and create a more amplifier-like response.
Before Delay and Reverb
This conventional placement keeps the delay repeats and reverb tails clear around the fuzz sound.
It is an excellent starting point for sustained lead guitar and spacious rock tones.
After Reverb
Placing the Big Muff Pi 2 after reverb sends the complete ambient signal into the fuzz circuit.
This creates a dense, compressed and deliberately overwhelming texture suited to shoegaze and experimental music.
Electro-Harmonix Big Muff Pi 2 Compared with Other Big Muff Pedals
Big Muff Pi 2 vs Nano Big Muff Pi
The Nano Big Muff Pi reproduces the classic modern NYC Big Muff circuit with smooth, creamy sustain and a familiar scooped tonal balance.
The Big Muff Pi 2 uses a rediscovered dual-op-amp circuit with slightly lower gain, rougher edges and a more noticeable midrange grind.
Choose the Nano Big Muff Pi for the established NYC sound. Choose the Big Muff Pi 2 for a more unusual and aggressive Muff character.
Big Muff Pi 2 vs Op-Amp Big Muff Pi
Both pedals use operational amplifiers, but they are based on different circuit designs.
The Op-Amp Big Muff Pi recreates the production V4 circuit associated with the late 1970s and provides an aggressive, compressed response with switchable Tone Bypass.
The Big Muff Pi 2 is based on a separate Bob Myer design that was not originally released. It has its own lower-gain response, gritty mids and latching or momentary switching.
Big Muff Pi 2 vs Ram’s Head Big Muff Pi
The Ram’s Head is known for articulate string separation, smooth sustain and a refined vintage-style lead voice.
The Big Muff Pi 2 sounds rougher and more immediate, with greater midrange grind and less polished edges.
Choose the Ram’s Head for smooth vintage articulation. Choose the Big Muff Pi 2 for rawer alternative-rock character.
Big Muff Pi 2 vs Green Russian Big Muff Pi
The Green Russian has a strong low-frequency response and an earthy, muscular character that works especially well with bass and lower tunings.
The Big Muff Pi 2 places more emphasis on midrange grit and dual-op-amp crunch.
Choose the Green Russian for maximum low-end weight. Choose the Big Muff Pi 2 for a more cutting and unusual mid-forward voice.
Big Muff Pi 2 vs Triangle Big Muff Pi
The Triangle Big Muff recreates the earliest Big Muff design and offers an open, harmonically detailed response.
The Big Muff Pi 2 has a rougher edge, more modern switching and a distinctly different op-amp-driven feel.
Choose the Triangle for early vintage-style fuzz. Choose the Big Muff Pi 2 for rediscovered 1970s experimentation and greater midrange aggression.
Big Muff Pi 2 vs Big Muff Pi 2 with Tone Wicker
The Tone Wicker version uses the same core dual-op-amp gain design but adds switchable high-frequency filtering and full tone-circuit bypass.
The standard Big Muff Pi 2 is simpler and more immediate, retaining the essential Volume, Tone and Sustain layout.
Choose the standard model for direct operation. Choose the Tone Wicker model when additional treble and tone-circuit options are required.
Frequently Asked Questions
Is the Electro-Harmonix Big Muff Pi 2 analogue?
Yes. It uses an analogue fuzz circuit built around two dual operational amplifiers.
Is it officially called the Nano Big Muff Pi 2?
The official model name is Big Muff Pi 2. It is housed in Electro-Harmonix’s compact Nano-sized enclosure.
Is this the same as the Nano Big Muff Pi?
No. The Nano Big Muff Pi reproduces the familiar NYC Big Muff circuit.
The Big Muff Pi 2 uses a different dual-op-amp design originally developed during the 1970s.
How does the Big Muff Pi 2 sound?
It has the sustain and full-bodied character associated with the Big Muff family, but with slightly lower gain, rougher edges and a pronounced midrange grind.
Can it produce lower-gain distortion?
Yes. Lower Sustain settings create heavy crunch with greater attack and note definition.
Can it create saturated fuzz?
Yes. Increasing Sustain produces dense compression, thick harmonics and long note sustain.
What does the momentary footswitch function do?
Holding the footswitch for more than half a second creates a temporary change between bypass and effect. The pedal returns to its previous state when the footswitch is released.
Can momentary operation be disabled?
Yes. The momentary-hold function can be disabled, and the pedal remembers the chosen setting after it is powered down.
Does it use true bypass?
Yes. A mechanical relay provides true-bypass switching.
Is it suitable for rhythm guitar?
Yes. Its gritty mids and lower-gain crunch make it particularly effective for riffs, power chords and alternative-rock rhythm parts.
Can it be used for lead guitar?
Yes. Higher Sustain settings provide the compression and note length needed for sustained bends, vibrato and feedback.
Can it be used with bass guitar?
Yes. It can produce aggressive bass fuzz, although it does not include a dedicated clean blend. A parallel blender can be used when additional clean low end is required.
Can it run from a battery?
Yes. A 9V battery is included.
Is a mains adapter included?
No. A compatible regulated 9V centre-negative adapter is available separately.
Fair Deal Music Verdict
★★★★★ 5/5
The Electro-Harmonix Big Muff Pi 2 is an exciting addition to the Big Muff family that offers far more than a different enclosure or cosmetic design.
Its rediscovered dual-op-amp circuit delivers the scale and sustain expected from a Big Muff but introduces its own gritty midrange, rougher attack and slightly lower-gain feel. It sounds equally convincing as a heavy rhythm distortion, a saturated lead fuzz or an aggressive texture for experimental effects chains.
The soft-touch latching and momentary footswitch adds genuine performance flexibility, while the compact Nano-sized enclosure makes it easy to integrate into almost any pedalboard. For players who want a Big Muff with a less familiar and more mid-forward personality, the Big Muff Pi 2 is an outstanding choice.
Why Buy From Fair Deal Music?
Choosing Fair Deal Music means buying from a passionate team of musicians who genuinely understand the products we sell. Whether you're purchasing your first instrument, upgrading your current setup or searching for something special, we're here to help you make the right choice with friendly advice and expert support.
When you shop with Fair Deal Music, you can buy with confidence thanks to:
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Expert advice from knowledgeable musicians
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Carefully checked new, used, pre-owned and ex-display equipment
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Competitive prices on leading music brands
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Secure UK-wide delivery
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Flexible finance options available, subject to status
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Friendly support before and after your purchase
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A trusted independent UK music retailer with decades of experience
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FAQs
How long is the warranty period?
For new products, you will get the full manufacturer warranty. For our second-hand products, we will cover any fault within 4 weeks of the purchase of any guitar. For pianos, that will be extended to 3 months.
What is the estimated delivery time?
We use the 24hr delivery in UK mainlands if it can be delivered by post. For Scotland and Wales, it depends on the area and the distance from our warehouse, but our aim is to get you order to your hands as soon as possible.
For products that cannot be posted, we will arrange the delivery with you to suit your schedule and deliver it to you
Do you offer international shipping?
We usually can ship instruments worldwide. Please get in touch to get a quote
What is the maintinance on your USED products?
- Guitars: Every guitar will be setup to a high playing standard before shipping. The electronics are checked and if there is any issue with guitar, it will be fixed.
- Pianos: Every piano is fully tested to make sure it's fully functional, cleaned, and if it's digital, a facroty reset is performed.
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