Skip to content
Sell Your Gear For Cash - Click Here For A Quote
Sell Your Gear For Cash - Click Here For A Quote

Marshall ORI50H Origin 50W Valve Head

Original price £599.00
Original price £599.00 - Original price £599.00
Original price £599.00
Current price £425.00
£425.00 - £425.00
Current price £425.00

Expression begins with the all valve OriginTM series. It delivers two inbuilt voices, a new tilt control, PowerstemTM our new power reduction technology and forms the perfect marriage with FX pedals. The classically styled single channel amps generate rich and harmonic tones that are ideal for players to explore new possibilities and craft their sound. There is a 2-way footswitch available with all models so you can control the gain boost and turn the FX loop on and off. The series has something for those playing in the bedroom, at rehearsal or on the stage.

This 50w head enables you to express your personality. The Origin50HTM delivers classic, rich and harmonic tones with a contemporary, sleek style. This all-valve amp has power reducing features making it ideal for different environments from performing on stage to recording in the studio. With a 2-way footswitch available you can turn the gain boost and the FX loop on and off.


The footswitchable gain boost feature allows you to develop your sound by adding an extra level of gain to deliver crunch to your tone.


With one channel, this amp still offers a variety of tones. By using the tilt control you can vary your sound to access the one you prefer.


To suit your playing environment, from the bedroom to the studio we have introduced new power reducing technology, PowerstemTM that allows you to have high, medium or low power modes.


Increasing the master volume can give you that classic overdrive sound and using the presence control you can increase the high frequency.

  • Type: Valve Combo
  • Power: 50 Watts
  • Preamp Valves: ECC83 (12AX7)
  • Power Valves: EL34
  • Pull Boost: Gain
  • Equalisation: Treble, Middle, Bass, Tilt
  • Output: Master, Presence
  • 3-Way Output Toggle: 1W, 10W, 50W
  • 1/4'’ Input Jack
  • 3 x 1/4'' Loudspeaker Outputs (16-Ohm, 8 Ohms, 8 Ohms)
  • 1/4'' D.I. Output
  • 1/4'' Footswitch Input
  • 2 x 1/4'' FX Loop (Send, Return)

A little extra reading from our Blog

Featuring our Guitar specialist & Marshall ORI50C, Origin 50w all valve combo owner, Gaz Morris

I’m aware that with this next sentence I’m going to risk sounding my age but here it goes. Back in the good old days when amps were amps I used a 1974 Marshall JMP100 head (a non-master volume head with four inputs you could bridge together via a patch lead to get more bottom end gain) into a 1968 Marshall basket weave 100 4x12” cabinet, to me, this was THE classic Marshall rig, think Paul Kossoff, Jimmy Page, Jimi Hendrix. It was the embodiment of the widely coined phrase, ‘proper tone’ and boy did it love having pedals in the front of it. The problem with it being that even with two valves removed it was still a monster. It was becoming archaic and increasingly obvious that I had to move on.

So began the search for a quieter replacement which took me through a myriad of combos and heads, a list of amps that would go on for days but they just were not THAT Marshall. So I gave up and made do with a close enough alternative but I’ve never quite gotten over that perfect tone from my past and thought I’d never find that level again.

Now fast forward a couple of months and Marshall contact me, informing me that they were releasing a range of amps that were described as “Classic Marshalls” and to be honest I thought OK a DSL with less gain maybe? After viewing a few videos online with the guys using Strats I thought ok that does sound pretty cool, but I then I got my hands on one of them pre-release, plugged in my trusty Les Paul and unbelievably to my upmost surprise, I got “That Sound”!

I waited with great anticipation for the Marshall Origin series to finally land in-store and as soon as they did I stopped what I was doing (to the dismay of my colleagues), unboxed a 50 watt combo and directed headed off to the quiet room.

I grabbed the closest Les Paul to mine I could find and turned the gain up, WOW! I pulled the gain boost and I knew that this was going to be something special. I remember saying out loud to myself even though I was on my own, “Let’s see what else you can do” and so I discovered the “Tilt” feature. Do you recall earlier when I mentioned that on my old JMP head that it had four inputs that you could link via a patch lead?

Well on this 1x12” beast there is a thing called a Tilt control, turn it far left and it’s like I have plugged into the darker input of my old JMP100H, turn it right and you are in the bright input! Excitingly, this features on all the Origin models. Bass, middle and treble are the norm with a presence on the output and this is the first Marshall I’ve not had to turn the treble right down to get a usable tone on in a long time.

There is an included footswitch that turns on the effects loop and also turns on the, Hurrah a usable boost that’s foot-switchable.

This particular model (50C Combo) has a three stage output 1 watt, 10 watt and 50 watt powered by the classic Marshall 12AX7 and EL34 combination of valves, it’s so handy to have the use of one watt for playing at home and recording. All this tone is driven by a 12” Midnight 60 Celestion speaker.

Sound wise, this has to be the closest I’ve come to the sound I’ve been chasing for years. Add in to the mix it has a master volume and a switchable output stage its near damn perfect.

If you like that classic, non fizzy overdrive that I’m sure you craved on the albums that you had when you started playing guitar in the first place (oh yeah I’m old, I listened to Free, Led Zeppelin, Hendrix and Bad Company etc) then look no further it’s here!

Yes I bought one! In fact, I took it straight to my that very night, obviously I took my other amp just in case it didn’t happen outside the store but my old amp didn’t even get turned on, the Origin 50c has now become my amp of choice I love it. It’s like I’ve come home.